Rediscovered in the early 90s by Britain's rare groove scene, 24-Carat Black's Ghetto: Misfortune's Wealth has since been known as their first and final chapter, barely a footnote in the well documented history of Stax. Gone: The Promises Of Yesterday is by no means a sequel. Missing are the poignant and bleak sermons on the pain of inner-city existence, replaced by dusky, sensuous re-workings of love songs Warren had written as far back as 1965. Wildly divergent in tone, scope, and mission, the second 24-Carat Black album is tethered to the first by a single, crucial element: its creator.