?The first album by punk bard Attila the Stockbroker, pioneer of that peculiar style of Oi!-inflected poetry that was briefly known as ranting, also ranks among the finest contemporary comedy albums of the early '80s, a collection of running gags, skewed observations, and, face it, crippling insults that was wholly unaffected by current trends in either comedy or pop music, but lays them bare regardless. Attila's demons are manifold. Both 'Flapping in the Wind' (as in 'Your Raincoat, You Pratt, Is...') and 'Nigel Wants to Go and See Depeche Mode' investigate the sonic cancer of new romanticism and peculiar haircuts, wherein a love of synthesizer pop was as unforgivable as an admiration for Margaret Thatcher, and not necessarily incomptable. 'Death in Bromley' studies the clockwork commuter world of suburbia; 'England Are Back' explores the tabloid hyperbole that surrounded the national soccer team; and 'Eros Products Commercial' ponders the sort of people who derive their sexual satisfaction from rubber terrapins.

Against such deliberately lighthearted diatribes can be balanced more serious concerns. The Soviet threat upon which Anglo-American relations of the time were based is explored in a series of poems that sees the Russians invading some of Britain's most cherished institutions -- Centre Court at Wimbledon, the Henley Regatta, and MacDonald's among them. Recent confrontations with Iceland over fishing rights in the north Atlantic were handled by 'Hands off Our Halibuts!,' while 'Contributory Negligence' highlights a recent court case in which a rapist was found not guilty on the grounds that his victim, by her choice of dress, was 'asking for it.' Other topics include left-wing politics and right-wing demagogues, juvenile crime, and Albania. But no contemplation of Attila could be considered complete without 'Spencer's Croft Cat,' a lament dedicated to a feline corpse that lay rotting at the end of the Stockbroker's own street. It is graphic, tasteless, and riddled with maggots. And the cat is even worse.? ?Dave Thompson, All Music Guide