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VINYL FORMAT. An intentional homage to the world of horror literature and film, "Night Mute" is Ativin's ten-song exploration into the themes of death, hopelessness, and fear. On it, the band has created a concise and harrowing sonic vision rooted in their trademark foundation of dirge and repetition of the guitar/guitar/drums. With emphasis placed on deconstructing the music back to its barest elements, the band has pulled away from the "spacious" and cinematic side of the "Summing the Approach" EP (1999, Secretly Canadian) and last year's "Interiors" (Secretly Canadian). Song titles and lyrical content reinforce the notion that this could be a subtle, disconnected soundtrack for terminally ill patients lying in wait behind closed doors. Guitarists and songwriters Dan Burton and Chris Carothers relish in the deconstruction of their own music. It may help to think of their dual contributions to "Night Mute" as a metaphor for a severed corpus callosum, as you begin to form a mental picture of the sound therein ?- two hemispheres of the brain are split in two, scared to death of each other, yet encased in the same brain cage and trapped for all eternity. ?Night Terror,? ?Drink This,? ?Concentrate,? and ?Blood? are each meticulously honed razorblade attacks nodding to a return to the Ativin of yore ?- angular instrumental rockers like those on which the band waged war: "Pills Vs. Planes" (1996, Polyvinyl) and "German Water" (1998, Secretly Canadian). The addition of expert, marksmen style drumming from Mark Rice (the Impossible Shapes, John Wilkes Booze) propels Burton's and Carothers' spiraling, schizophrenic guitar interplay into a nightmare space where few, if any, musical acts have gone before.