Bernhard Fleischmann named his latest album after the roughly 50-year-old Humbucking Coil. As old as modern pop music: the pickup, not the artist. And Bernhard Fleischmann has taken an electronically amplified guitar. This happened for a first, a curious time. The Humbucking Coil has become an open, breathing album. Rather soundbox than hard disk. Being part of a process that has become visible in different moments on his previous album Welcome Tourist already. In between, and last year, there was the project duo 505, developed together with Herbert Weixelbauer. There the groovebox (Roland 505), here the amplified guitar (Humbucking Coil), there the micro levels of clicks and cuts, here the warmth of an old valve driven microphone. Vibraphone, piano, guitar, they all come together in a still electronic context.