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Bardo Pond

ARTIST MAINARTIST INFORELATED ARTISTSLINKSREVIEWS

Bardo Pond was the flagship band of Philly's "Psychedelphia" space rock movement, which also included the likes of Aspera, Asteroid No. 4, the Azusa Plane, and tangentially the Lilys. Explicitly drug-inspired -- their titles were filled with obscure references to psychedelics -- they favored lengthy, deliberate sound explorations filled with all the hallmarks of modern-day space rock: droning guitars, thick distortion, feedback, reverb, and washes of white noise. Hints of blues structure often cropped up, but Bardo Pond's earliest roots lay with {\avant...[more]

 

 

Dilate, the fifth Bardo record, is titled in their tradition of using a drug reference as a title. For the band, these titles are less about using drugs then they are metaphors for lifting one out of one's self, opening up, dilating. While new drummer Ed Farnsworth may be the only physical manifestation of how the band has changed, the record shows a stupefying leap forward. Their ominous and solipsistic intensity keeps breathing underneath, yet their sound is something new and expanded. While they'v   [ read more ]

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VINYL FORMAT + CD! Batholith is a collection of six tracks that are near and dear to Bardo Pond but, for some reason or another, have never previously been released. That one-sentence description might lead one to think that these tracks are "outtakes" or cutting-room floor type material - neither conclusion could be further from the truth. The tracks included on Batholith range from previous live staples ("A Tune," one made 'famous' by opening Bardo's set at Terrastock II in San Francisco as    [ read more ]

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VINYL FORMAT! Dilate, the fifth Bardo record, is titled in their tradition of using a drug reference as a title. For the band, these titles are less about using drugs then they are metaphors for lifting one out of one's self, opening up, dilating. While new drummer Ed Farnsworth may be the only physical manifestation of how the band has changed, the record shows a stupefying leap forward. Their ominous and solipsistic intensity keeps breathing underneath, yet their sound is something new and expande   [ read more ]

Buy Now 2xLP $18.99

 

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Philadelphia's Bardo Pond return in June 2006 with Ticket Crystals -- their sixth studio album and second for ATP Recordings. Completing a trilogy of work -- first embarked on with 2001's Dilate and centered with 2003's On the Ellipse -- Ticket Crystals resumes the quintet's signature doom tempo, multi-layered drones; while introducing a lighter pastoral, even Tudor-like feel, which rallies throughout against the band's youthful riff petulance. Recorded over two years at the band   [ read more ]

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Dilate, the fifth Bardo record, is titled in their tradition of using a drug reference as a title. For the band, these titles are less about using drugs then they are metaphors for lifting one out of one's self, opening up, dilating. While new drummer Ed Farnsworth may be the only physical manifestation of how the band has changed, the record shows a stupefying leap forward. Their ominous and solipsistic intensity keeps breathing underneath, yet their sound is something new and expanded. While they'v   [ read more ]

Buy Now MP3 $10.49

 

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Following their 2003 ATP release On The Ellipse, Philadelphia indie-psych drone masters Bardo Pond return with a new offering comprised of rare unreleased tracks that have previously only been available in limited numbers as CD-Rs at the band's live shows. Selections is the band's seventh full-length release, and documents the highlights of their career, re-mastered and repackaged by ATP. Formed in 1989 by brothers John and Michael Gibbons, Bardo Pond is one of the most seriously underrated ba   [ read more ]

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It starts with feedback, hum, and fuzz, then a heavy guitar riff emerging from the murk -- arguably Bardo Pond in a nutshell. Then again, enough other bands do the same thing, so why should the Pond get singled out? It's hard to pin down an exact reason, but whatever it is that a band needs to connect, they've got it. The slow, stony pace that [ read more ]

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Not changing all that much but whipping up just as compelling a mix of drone, volume, and blissout as before, on Amanita the now officially-a-quintet Pond cranked the amps, switched on the pedals, and let fly with 11 monster songs. After a four-minute series of guitar feedback and fuzz, "Limerick" fully kicks in the album with a slow, stoned groove that's as big as one could want it to be, with Sollenberger's echoed vocals emerging out of somewhere while the slow shuffled beat builds higher and    [ read more ]

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With each successive album, Bardo Pond continues to reshape and refine their monolithic sound, drawing ever closer to the oxymoronic ideal of controlled chaos that their brand of supreme noise seems to promise. Lapsed doesn't reach that holy grail, but it takes the group to a new level regardless, expanding into new dimensions of cacophony while sharpening the focus of their music to reflect an increasing emphasis on shape and form; the tension between the melodies of songs like "Pick My Brain," {&   [ read more ]

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The broken-down blues of Bardo Pond might just alter the world. The cilia-pulling strains of Set and Setting become utterly more infectious with each new spin. It's as though Bardo Pond is tugging the earth into their psychedelic orbit without anyone's knowledge or consent. The band is at their most effective on instrumental cuts like "Datura" and the violin-based "Cross Current." Here, sounds get their most stretched out and visual. On the whole, Set and Setting is another cohesive step f   [ read more ]

Buy Now CD $15.18

 

 

 

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