2006, Arena Rock
One night, shortly after Kevin O’Connor moved to Portland, OR in 2002, the now 28-year-old musician was hanging out at a local club when he heard it. A voice uttering a single word: Talkdemonic. It’s a name that O’Connor says fit perfectly with the hip-hop and electronic influenced project he had just started. Like nothing the Pacific Northwest has seen before, Talkdemonic melds the primal, the classical and the modern to create songs that are as sweeping in scope as they are shattering in intensity. The band calls it folktronic hop and, for the last year, it has helped Talkdemonic create a fanbase in the Pacific Northwest that grows with each performance, the tales of the band’s ability to capture the most human emotions with only drums, viola, a laptop and no vocals attracting curious onlookers that are soon turned into devout fans.
Tracklisting
Disc 1
| 1 | Veraison |
| 2 | Mountaintops in Caves |
| 3 | Dusty Fluorescent/Wooden Shelves |
| 4 | Junesong |
| 5 | Cascade Locks |
| 6 | Skyscraper |
| 7 | Bering |
| 8 | Human Till Born |
| 9 | Sept with Smith |
| 10 | Manhattan '81 |
| 11 | Mountain Cats |
| 12 | White Gymnasium |
| 13 | Axe & Red Sweater |
| 14 | Lightening & Butterflies |
| 15 | Hillside Monarch |
| 16 | VTritT |
Customer Reviews




Andrew MashburnTalkdemonic is much more beautiful than the name implies. Someone described the sound as folk-hop. I am not sure what that is, but they do use electronics, and sometimes there's a banjo. The songs are very rhythm heavy, and are based around very good drum beats. There is also plenty of melody layered very carefully. They get their ideas out, and don't milk any hooks for all their 7-minute-long-post-rock's worth. Short songs that demand careful attention. This is a must for enthusiasts of instrumental music.





