The Bled was a post-hardcore/mathcore band from Tucson, Arizona. Formed in 2001, they soon established a name for themselves in their home town, playing many shows and often to sold out audiences. Eventually they signed to Fiddler Records and released one album through them - Pass The Flask. The band toured extensively in support of this album. However, before recording started for their second album, original bass player, Mike Celi, left the band. He was replaced by Darren Simoes. The band is currently signed to Rise Records and through them, released their fourth album, Heat Fetish in 2010. They have toured alongside such bands as Slipknot, Alexisonfire, The Dillinger Escape Plan, Thrice, Midtown, The Used, My Chemical Romance, Underoath, Senses Fail, and AFI. The Bled's very first headlining tour was shared with Protest the Hero of Can
ada. The Bled consists of:
James Muñoz - vocals
Jeremy Talley - guitar
Ross Ott - guitar
Darren Simoes - bass
Mike Pedicone - drums
Bands usually seek to do one of two things: define their genre, or defy their genre. However, since bursting out of Tucson, AZ in 2001 with their unique mix of hardcore brutality and an eclectic musical palette, The Bled have done both. Taking cues from their peers in the burgeoning hardcore scene of the time—bands like Refused and The Dillinger Escape Plan — The Bled quickly became one of a handful of bands who set the standard for the genre. But with the release of the Found in the Flood— the band’s second full-length and first for Vagrant Records — The Bled have set themselves apart from the hordes of bands joining the hardcore fray, in the process forging their own place in the musical spectrum.
Cutting their teeth in the relatively remote Tucson scene, the members of the Bled — vocalist James Munoz, guitarists Jeremy Talley and Ross Ott, bassist Darren Simoes, and drummer Mike Pedicone — shared more than just a common background. They also shared the drive necessary to break out of their hometown. “We all pretty much grew up together in Tucson and we’d all played in different bands together throughout the years,” says Pedicone. According to Pedicone, it was obvious, even then, that the future members of The Bled were bound for more than just local scene notoriety. “It’s so rare for bands to get out of Tucson,” says Pedicone, “but it was apparent that we were the ones, in the bands we were in, who were going to keep playing forever. It was just a matter of time before we got together and got a serious band going.” Upon joining forces, the band wasted little time making a name for themselves. “We were friends with the lady who runs the main club in Tucson called Skrappy’s, so whenever we needed a show she would put one on. And it just seemed like more and more kids started coming out, says Pedicone. But the The Bled wanted were definitely not satisfied with being local hardcore heroes. “We had always wanted to tour, but we obviously didn’t have any booking agents who wanted to take us out, so we booked our own first tour. It was four shows, one that ended up being booked for a month later and another that was cancelled.” However, the band’s luck quickly changed. An EP, and a string of fortuitous shows culminated with the band signing to Fiddler Records and releasing Pass the Flask, their first full-length and first time recording with vocalist James Munoz, who took the place of the band’s old vocalist before work on the album began. “The same night that the old singer quit, James was in the band,” remembers Pedicone. “Adam, the old singer actually recommended that we try out James, and there wasn’t even a question. The next day we practiced and it was a better fit than it had ever been before.” The Bled hit the road like never before, touring relentlessly. Along the way, the band parted ways with its former record label and found themselves being courted by labels big and small. “We didn’t want to go to a major label, though that interest was certainly there,” says Pedicone. “We had always been fans of Vagrant, so after we were out of our contract, we started talking to Vagrant and it’s been amazing. We’re happier than we’ve ever been.”
With their new deal inked, The Bled entered the studio, this time with legendary producer Mark Trombino (Jimmy Eat World, blink-182). With Trombino at the helm and two years of touring under their belt, the band felt more comfortable exploring different directions with their music. “Vocally, I tried to challenge myself to be a better singer, a better screamer,” says vocalist James Munoz. “I tried to do different things. With the last record I didn’t have much time to put my own spin on it; I just did what I could with the songs. On this record, the songs are just more dynamic. I got to work with a good producer, who was really responsive to new ideas. He became like a member of the band.” The resulting record, Found in the Flood, is a marked change from the band’s earlier efforts, documenting the band’s technical talent and brutal heaviness, while also showcasing their ability to weave disparate musical ideas into a cohesive whole. “Within the two years since the last record came out, I think we’ve all become better musicians, and we’re all interested in a lot of different things and trying to convey them through this music.” Pedicone offers similar sentiments regarding Found in The Flood. “The softer side of us got softer, and the harder side of us got heavier. James is really showing more of what he’s capable of. He did some vocal training and it’s really amazing how it came out.” No song on Found in the Flood is more representative of this dynamic range than “My Assassin,” with Munoz showcasing his ability to hit falsetto high notes and demon screams with equal conviction. Likewise, the instrumentation vacillates between anthemic choruses and jarring moments of hardcore staccato. Elsewhere on Found in the Flood, the band moves from the chaotic (“Hotel Coral Essex,”) to the slow and brooding (“Daylight Bombings”), with an epic closing track (“I Don’t Keep With Liars Anymore”) that has to be heard to be believed. The fact that such diversity makes it harder to place The Bled firmly into any one musical category, is something the band is not necessarily too worried about. “We just kind of do what we do,” says Munoz about the band’s musical style. “Everyone always says that they don’t like to be classified, but then they put out an obvious metal record. We could get away with calling ourselves hardcore on the last record, but on this record, we have some rock songs, we have some slow jams; it’s heavy music, but we try to do it in different way. We don’t know what to call it.”
Regardless of what you want to label it as, the music of The Bled has brought them from the deserts of Arizona to the fore of the contemporary hardcore scene, and will certainly be around long after the majority of cookie cutter hardcore bands now making the rounds have moved on to the next big trend. For The Bled, the sound documented of Found in the Flood is nothing more than the answer to their own musical equation, a combination of everything from jazz to Converge to Led Zeppelin. But if you must call it something, take the advice of Mike Pedicone. “I just tell people that we’re heavy.” Exactly.
On the new album Silent Treatment, released on September 25th 2007, The Bled still is exactly that: Heavy. And yet so much more. A geat production of their grand skills resulted in an 11 track album which once again leaves the listeners with their jaws open and their hearts begging for more.
(2001-2012)
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