Briggan Krauss
Briggan Krauss is another one of many jazz players who began his career in Seattle in the early '90s, only to move to New York City to make a dent on the Downtown scene. Although he also plays baritone sax and clarinet, Krauss' main instrument is alto sax, and he has developed a totally original sound on it. Krauss first started making a name for himself in the Seattle-based collective Babkas, with Aaron Alexander and Brad Shepik. He was soon recruited for transplanted New Yorker Wayne Horvitz's band Pigpen. Krauss was still performing with both grou...[more]
Immerse head in big bucket of New York downtown saxophone skronk. Lather. Rinse. Repeat. That's kind of what listening to Briggan Krauss' 300 is like. Krauss is a bit of a madman on the alto saxophone, even by the standards of the downtown scene, which -- after all -- is not populated by a bunch of shrinking violets. Leading this two-session recording with keyboardist Wayne Horvitz and drummer Kenny Wollesen, Krauss is positively unhinged a good deal of the time; most of his work with grou [ read more ]
CD $18.03
Krauss-alto sax, Chris Speed-tenor sax & clarinet and Michael Sarin-drums perform twelve collective improvisations, composers credit on all to Krauss. It's a free wheeling, avant extravaganza with occasional melodic signposts, ethnic inferences and loaded with tangential interplay from these bad cats. At their most rhythmically centered is "MSSM," a dense funk with a well defined melody line displaying true collective improvisation. More circus like is "Inky Stinky" with rollicking counter [ read more ]
CD $18.03
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