This CD gives one a strong sampling of pianist Bud Powell at his best. Powell is heard on a classic session with trumpeter Fats Navarro and tenor saxophonist Sonny Rollins (which is highlighted by exciting versions of "Dance of the Infidels," "52nd Street Theme," and "Bouncing With Bud") and in a trio for "Over the Rainbow" and his intense "Un Poco Loco." [The 2001 reissue offers nine alternate takes: two versions of "Bouncing With Bud," "It Could Happen to You," {&"A Night    [ read more ]

CD $11.38

Pianist Bud Powell made several fine recordings for Blue Note during the 1950s, including The Scene Changes, his last album for the label in 1958. He's joined by bassist Paul Chambers and drummer Art Taylor on a handful of his own compositions. Powell is in excellent form, and there's a simple elegance to the small setting with each of the players sharing equal space in the stereo spectrum. The title cut bops along at a snappy pace before taking time out toward the end for a Taylor solo   [ read more ]

CD $11.38

Recorded between 1957 and 1964, Paris Sessions captures Bud Powell late in his career in a variety of settings, in the studio and live. This collection reissues only a few choice tracks from the numerous recordings made by the pianist's friend and guardian, Francis Paudras. While critics and fans have noted the erratic nature and hesitations of Powell's later work, Duck Baker argues in the liner notes that a number of these pieces show him in top form. There are pleasant takes on standards   [ read more ]

CD $11.38

CD $23.73

This set from pianist Bud Powell (which has been reissued on CD in a "complete" four-CD set) is most notable for having the debut versions of seven of Powell's compositions; most memorable are "Time Waits," "Monopoly" and especially "John's Abbey." With bassist Sam Jones and drummer Philly Joe Jones completing the trio, Powell is in surprisingly fine form throughout the enjoyable session, creating music that is far superior to his later Verve recordings. ~ Scott Yanow, All Music G   [ read more ]

CD $32.28

Pianist Bud Powell made several fine recordings for Blue Note during the 1950s, including The Scene Changes, his last album for the label in 1958. He's joined by bassist Paul Chambers and drummer Art Taylor on a handful of his own compositions. Powell is in excellent form, and there's a simple elegance to the small setting with each of the players sharing equal space in the stereo spectrum. The title cut bops along at a snappy pace before taking time out toward the end for a Taylor solo   [ read more ]

CD $43.68

Bud Powell's playing in the late '50s (just prior to his move to Paris) found the troubled pianist in erratic form, often struggling to make it through songs he had written. However, his three Blue Note recordings from the era (which include the slightly later Time Waits and The Scene Changes) feature Powell in surprisingly inspired form; all of the releases have since been reissued on a comprehensive CD set. Bud! (which is subtitled The Amazing Bud Powell, Vol. 3) has five trio perform   [ read more ]

CD $43.68

These two CD volumes (all of the music has also been reissued on a definitive and "complete" Blue Note Bud Powell four-CD set) differ from the original two LPs in that, in addition to the inclusion of some alternate takes, they are programmed in strict chronological order. The influential bebop pioneer (who not only set the standard for bop pianists but largely invented the style) is heard on fine trio performances from 1951 (with bassist Curly Russell and drummer Max Roach) and 1953 (duri   [ read more ]

CD $43.68

CD $43.68

This set from pianist Bud Powell (which has been reissued on CD in a "complete" four-CD set) is most notable for having the debut versions of seven of Powell's compositions; most memorable are "Time Waits," "Monopoly" and especially "John's Abbey." With bassist Sam Jones and drummer Philly Joe Jones completing the trio, Powell is in surprisingly fine form throughout the enjoyable session, creating music that is far superior to his later Verve recordings. ~ Scott Yanow, All Music G   [ read more ]

CD $11.38

The influential bebop pioneer (who not only set the standard for bop pianists but largely invented the style) is heard on fine trio performances from 1951 (with bassist Curly Russell and drummer Max Roach) and 1953 (during which he is matched with bassist George Duvivier and drummer Art Taylor). Highlights include "A Night in Tunisia," "Reets and I," "I Want to Be Happy," and "Glass Enclosure." [The 2001 reissue offers six alternate takes: two versions of {&"Autumn in New York,   [ read more ]

CD $11.38

Bud Powell's two dates for RCA in 1956-1957 are better than expected. Although troubled, Powell actually plays better on Strictly Powell than on his Verve dates of the period. Backed by bassist George Duvivier and drummer Art Taylor, the pianist is heard in fine form during a program of mostly mid-tempo and slower performances, particularly on "There'll Never Be Another You," "Time Was," "They Didn't Believe Me" and five of his originals. Bud Powell collectors already owning   [ read more ]

CD $26.58