The future never came. The year 2000 arrived, a new millennium was born, and yet we were not greeted with hover-boards. Our computers did not sprout legs and profess to love us. Enter Chrome Canyon. If we can indeed recover yesterday’s fantasy of what tomorrow would (should) be, then Chrome Canyon is the temporal technician for the job. The solo project of Greenpoint, Brooklyn, New York artist Morgan Z, Chrome Canyon creates analog synth-powered epics that move between eras past and ages imagined to create the perfect score for an alternate now.
Morgan’s formative music memories were beamed in through the living room TV set — Vangelis’ Blade Runner score, Wendy Carlos via Tron, Giorgio Moroder’s work on Cat People. He spent his youth on the outskirts of southern California’s San Fernando Valley. His folks had him on piano b...
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