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Culture Club

ARTIST MAINARTIST INFORELATED ARTISTSLINKSREVIEWS

Few new wave groups were as popular as Culture Club. During the early '80s, the group racked up seven straight Top Ten hits in the U.K. and six Top Ten singles in the U.S. with their light, infectious pop-soul. Though their music was radio-ready, what brought the band stardom was Boy George, the group's charismatic, cross-dressing lead singer. George dressed in flamboyant dresses and wore heavy makeup, creating a disarmingly androgynous appearance that created a sensation on early MTV. George also had a biting wit and frequently came up with cutting quips tha...[more]

 

 

The success of "The Crying Game" marked a comeback for Boy George, especially in the U.S., where his solo career had never taken hold beyond the dance clubs, and SBK (distributor of his label, Virgin) took advantage of his resurgence by compiling this 75-minute, 19-track album, which combines his former group Culture Club's biggest hits with selections from his solo work. The ten Culture Club tracks are of a piece, from 1982's "Do You Really Want to Hurt Me" (which here leads off with a   [ read more ]

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By the time that Colour by Numbers (1983) hit store shelves in the fall of 1983, Culture Club had become one of the hottest pop acts in both America as well as their native England. The momentum that began on the debut long-player, Kissing to Be Clever (1982), continued to crest on this effort with a quartet of sides that charted within the Top 15. Their collective success verged on mania and was in large part due to central figure "Boy" George O' Dowd (vocals) , who not only fronted the comb   [ read more ]

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The career of Boy George and Culture Club had been on a steady upward climb for two years by the fall of 1984, so the group had every reason to expect that its third album, Waking Up with the House on Fire, would enjoy similar success, but it was not to be. The leadoff single, "The War Song," put off many fans, but the problem may have been less the music on Waking Up, which was typically frothy and propulsive, than the passing of a fad. By late 1984, Boy George had been sideswiped in the    [ read more ]

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Born of the image- and fashion-conscious glam rock of the mid-'70s, the Brit-based Culture Club were perfectly suited to the 1980s with a fresh blend of pop and (at the very least) eye-catching style -- courtesy, for the most part, of flamboyant and ambiguously gendered frontman "Boy" George O' Dowd (vocals). The quartet also featured Jon Moss (percussion), Roy Hay (guitar/keyboard/sitar), and Michael Craig (bass) and quickly became the darlings of the newly launched 24-hour-a-day cable   [ read more ]

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Released more than two years after Waking Up With the House on Fire derailed Culture Club's hit-making ways, This Time gathers the songs of one of the most successful pop bands of the '80s. All the U.S. hits are included (save for "Mistake No. 3," which is understandable). From the buoyant "Karma Chameleon" and the Motown-inspired "Church of the Poison Mind" to the breezy "Time (Clock of the Heart" and the new wave torch song "Do You Really Want to Hurt Me," listening to    [ read more ]

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Kissing to Be Clever is the album that put Culture Club on the musical map. Incorporating pop, rock, dance, new wave, soul, and Caribbean rhythms (an amalgamation of "cultures"), the result was a soulful, progressive pop outing that scored several landmark international hits and made a star out of the band's outrageous frontman, Boy George. A couple of tracks were European dance hits, but the first "official" single, "Do You Really Want to Hurt Me," was a simple masterpiece,   [ read more ]

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