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Death

ARTIST MAINARTIST INFORELATED ARTISTSLINKSREVIEWS

Over the course of more than a decade and seven increasingly accomplished albums, Chuck Schuldiner, the architect behind the ubiquitous Death, became a bona fide heavy metal icon. Now widely recognized as the father of death metal (if a single candidate must be chosen, his resumι is about as good as it gets), Schuldiner's singular drive and ruthless creative vision guaranteed that Death retain a pole position at the forefront of the style's development. Indeed, while the savagely raw aggression contained in Death's first three albums proved crucial to spearhe...[more]

 

 

Human started to break Death to a wider audience, after Chuck Schuldiner nearly disbanded the group. Schuldiner's playing has improved immensely since Scream Bloody Gore, as have his compositional skills. He writes strange, dissonant, harmonized guitar lines and is one of the few death metal songwriters who changes moods and textures over the course of an album; Human's second half is actually almost subdued by death metal standards. ~ Steve Huey, All Music Guide

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Words cannot do this album enough justice. This is a truly glorious metal release, certainly Death's finest hour, and easily one of the top metal albums of all time. The sheer ferocity and emotion that channels through each of the intricate, progressive guitar melodies shatters every low opinion of the American metal scene. When you combine Chuck Schuldiner's shrieking vocals (his eeriest performance ever) with the most talented, cohesive lineup yet, you get the definitive Death album. Thi   [ read more ]

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A seminal album that helped establish the death metal subgenre, Scream Bloody Gore may be slightly musically amateurish next to Death's subsequent albums, but it trades polish for savage, gut-wrenching force and speed. Building on the blueprint of Slayer's Reign in Blood, the lyrics match the disturbing, stomach-churning qualities of the music, and Chuck Schuldiner's vocals do their best to live up to the album's title. A necessary item for anyone interested in the genesis of {\death metal   [ read more ]

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Chuck Schuldiner gets even darker and bleaker on Leprosy, the follow-up to Death's long-awaited 1987 debut, Scream Bloody Gore. Schuldiner recorded the album with a completely different Death lineup, but the record isn't terribly different from its predecessor, aside from a bit more polish in the production and composition. ~ Steve Huey, All Music Guide

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The shoddy artwork, poor sound quality, and paltry playing time of this release and others in Relativity's Best Of series are proof positive that the label must have spent all of five minutes putting them together. Clocking in at under 45 minutes, Fate simply can't do justice to the extremely influential early career of Death. The band was actually the brainchild of guitarist Chuck Schuldiner, and their combination of crushing heaviness, piledriving bass drums, and wicked melodies placed    [ read more ]

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Chuck Schuldiner puts even more emphasis on the guitar harmonies, with the help of King Diamond guitarist Andy LaRocque. Bassist Steve DiGiorgio treats his instrument more like a third guitar, making for some unique ensemble interplay. Individual Thought Patterns cemented Death's reputation as not only one of death metal's founders, but also one of its most creative, musically proficient, and listenable bands. ~ Steve Huey, All Music Guide

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As vocalist/guitarist/songwriter/metal pioneer Chuck Schuldiner was fighting a battle against cancer that he would inevitably and unfortunately lose, Nuclear Blast -- probably at least in part in a noble attempt to drum up some revenue for a man burdened with astounding medical bills -- released the first live disc from the first name in death metal, Death. It's a soundboard recording with all the usual limitations you'd expect from such a source (in fact, it was never meant for release), but   [ read more ]

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Nearly a decade into their career, Death show no signs of slowing down on Symbolic. Granted, some of the riffs are beginning to sound a little tired and there is no great leap forward in terms of their musical ideas, but the sheer visceral force of their sound should please their dedicated fans. [RoadRunner's 2008 edition included five bonus tracks.] ~ Stephen Thomas Erlewine, All Music Guide

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