Creatures (CD)
The amicable departure of bassist Bryan Helium seems to have invigorated Elf Power, judging from the economical but intense performances throughout "Creatures." While adhering to the low-fi aesthetic of the Elephant 6 collective from which they came, the band spans the gap from neo-psychedelic to cosmic folk-rock, claiming as home base the niche established by Neil Young shortly after his flight from Buffalo Springfield. "Creatures" is a concept effort, built along a storyline that teems with slimy creatures emerging from bogs or slithering in sewers just beneath our feet; a single "creature" recurs now and then, invested with an elusive but undeniable metaphorical significance. Andrew Rieger's toneless, mumbled, and often out-of-tune singing bathes his lyrics in a pale white light; the contrast between deadpan delivery and epic imagery keeps the performance on a steady and rewarding interpretive course. With minimal resources, the Elves construct compelling arrangements, from a vast aquatic swell and roll throughout "Visions of the Sea" to the trippy pictures tumbled over a stoner drone on "Three Seeds." The center of the music is simple: acoustic guitars and big, dry drums, sweetened with a keyboard, a cello, or something equally fanciful. Yet the band's vision stretches beyond instrumentation and deep into the heart of Rieger's artistry. This balance of elements, along with Elf Power's ragged but insistent groove, make Creatures a study of harmonious contradiction and unlikely balance. ~ Robert L. Doerschuk, All Music Guide
| Tracklisting | |
| Disk | 1 | |
| 1 | Let the Serpent Sleep |
| 2 | Everlasting Scream |
| 3 | Creature |
| 4 | Palace of the Flames |
| 5 | Modern Mind |
| 6 | Visions of the Sea |
| 7 | Things That Should Not Be |
| 8 | Three Seeds |
| 9 | Haze |
| 10 | Unseen Hand |
| 11 | Creature, Pt. 2 |
| R
- 9999999999999999, PA, USA |
| Achingly bad, pallid music. Though the above AMG review gives credence to purchase this dull album, I advise you stay far away from this pseudo-Hobbit fantasy wankering. Lyrics about creatures in the forest and sea are even too unimaginative and simplistic for 4 year olds, although I conjecture that is their target market, since it is thematically devoid of anything adult. I'm surprised a penis is visible on the cover, albeit on a little boy with boxing gloves in what appears to be a surreal pedophile dreamscape (possibly the worst cover art ever), because this is the most genderless, dispassionate music I have ever heard. The instrumentation is stale twee-ish pop that slumps along. I traded this album the very next day after purchase. Moreover, it made me re-evaluate my taste for Elf Power and I concluded that they are among the worst of the ever-devolving collective known as Elephant 6. Force these people out of the music biz by avoiding this garbage. | |