2011, Ninja Tune
VINYL FORMAT. Feel It! has a rhythm designed by Long John Silver's wooden leg, a bit of ghostly moaning from Hammer Horror's lost disco classic, "Across the Moor to Studio 54," some of the finest one-handed keyboard playing ever left unquantised, plus choppy, soulful vox for those moments when only waving your outstretched index finger and thumb right in front of your nose will do. "Bounce," on the other hand, has some of the finest one-handed keyboard playing ever left unquantised since "Feel It!" and a thumpier, most insistent build, that goes all polyrhythmic and hypnotic and quite subtly, shimmeringly brilliant.
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