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First Light's Freeze

First Light's Freeze

Castanets

CD $12.99 $9.09
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2005, Asthmatic Kitty
With First Light's Freeze, Castanets return with a dark mutant-country sound infused with strands of free-jazz and a late-seventies Nashville big-radio strut hijacked by post-post-punk unravelers. The result is a beautiful mix of somber reflection, destination-unknown travelogue, and subversive anti-war boogie. Castanets' unrelenting creative pioneering delightfully befuddles, as they simultaneously honor and dismantle "New Americana". While Cathedral explored the themes of domesticity and the architecture of conflict, First Light's Freeze confronts the mythology of war and friendship. Morphed from a strictly literal and chronological song-cycle to a more broadly sketched reading, the wraith of narrative structure still lurks in the shadows, creating an eerie tale with shifting perspectives and evading resolution. The story ends up resembling an ancient documentary on relationships (others loved, feared, distrusted yet needed), the close proximity of things painful and pleasurable, and the complications of this as a paradigm for the world.

Tracklisting
Disc 1
1 (The Waves Are Rolling Beneath Your Skin)
2 Into the Night PLAY
3 Song Is Not the Song of the World PLAY
4 Good Friend, Yr Hunger PLAY
5 (We Drew Uncertain Breath)
6 Bells Aloud PLAY
7 First Light's Freeze PLAY
8 Evidence (A Mask of Horizon, Distortion of Form) PLAY
9 No Voice Was Raised PLAY
10 (Migration Concentric) PLAY
11 All That I Know to Have Changed in You PLAY
12 Dancing with Someone (Privilege of Everything) PLAY
13 Reflecting in the Angles PLAY

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Customer Reviews
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1 reviews
alena

On 'First Light’s Freeze', Raymond Raposa strays a bit from the David Lynch-ian quality of 'Cathedral' to something a bit more welcoming. While still supplying plenty of creepy and strange moments, Raposa has incorporated some lightness and dreaminess into his off-kilter style of ‘avant-country’ and folksy, Americana-tinged dirges.

The album opens with 28 seconds of hypnotic ambient noise before launching into “Into the Night”. “Into the Night” focuses mainly on Raposa’s soft, weary voice as it weaves with a slight echo around a lightly strummed guitar and a soft background hum. From the restraint of “Into the Night,” Raposa segues into the bouncy riff of “A Song is Not the Song of the World,” which is strangely reminiscent of the opening chords of the White Stripes' “We Are Going to be Friends.” “Whoa”, you think. “This is kind of rockin'.'' Well, don’t be fooled. There are some genuine headboppers on this album (see also “Good Friend, Yr Hunger” and “No Voice Was Raised,”) though they're the kind that you could picture being played at a Halloween party in a cemetery attended solely by the ghosts of old war generals, gold miners, and the like.

But in no way do you need to possess a macabre soul to enjoy First Light’s Freeze. Raposa is an intriguing songwriter who will draw in fans of all sorts with his lyrics and the pictures they paint.
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