For Waiting, For Chasing

As was eloquently stated by Mosz: 'It is not about the process or the media, which have been used. It is about how elements and structures are put in a detailed relation to each other, ending up in a slow-moving, breathing organism. Filaments of percussive elements condense to polyrhythmic elements, layers of sound, instruments and field recordings merge to build up a mystic parallel, not so much fictional world.'