Freedom, Rhythm, and Sound

Freedom, Rhythm and Sound is a unique collection of cover artwork of revolutionary jazz music between 1965-83 compiled by Gilles Peterson and Stuart Baker (of Soul Jazz Records). Martin Luther King, Malcolm X and the civil rights movement of the 1960s loom large as self-determination, economic power and musical freedom led to jazz artists finding new paths – both musical and economic. Years before the D-I-Y cultural revolution of punk, Sun Ra, John Coltrane, Pharoah Sanders, Don Cherry, Ornette Coleman, the Art Ensemble of Chicago and others "took control" of their own work by recording, releasing and distributing their own music themselves.

The record sleeves of this era are as iconic and historically unique as the music itself and a striking reflection of the time; pre-desktop publishing, pre-internet these small-run (sometimes as low as 500 copies), self-made sleeves are graphically bold and radical. The book also includes a large introduction contextualising the music and artwork as well as features on many of the people involved. Alongside the musicians mentioned above these include Rashied Ali, Steve Reid, Mary Lou Williams, Horace Tapscott, Lloyd McNeil, Tribe, The Last Poets, The Pharoahs, Philip Cohran, Black Artists Group and many others.