
Check out our review of High Violet in our Stuff We Like blog.
2010, 4AD
VINYL FORMAT. High Violet is the highly anticipated follow up to 2007's Boxer. Singer Matt Berninger said of the album in an interview: "I don't think it sounds anything like Alligator, but it's less restrained than Boxer, that's for sure. I don't quite scream my head off in the way I did with "Mr. November", but I do think it's cathartic. Boxer was all tension without a whole lot of release. This builds a lot of those same kinds of tensions, but I think there's at least a little bit of bloodletting in this one. I'm trying to sing out and higher a little more, and the melodies move around a little more. When we started this record, I worked on melodies before I worked on lyrics. A lot of my melodies are sort of in a limited chanting, murmuring range, which has always worked for me. But I was trying to work on melodies this time much harder than I ever have in the past, and I think that alone has made the songs feel like they release more. I don't know; we're talking about abstract things. There's a lot of yelling on this record, but not quite the guttural, psychotic screams that were on songs like "Abel" and "Mr. November". I also think this record moves faster. I think it's going to be a longer record than Boxer, but hopefully it's going to feel shorter. The songs have much more momentum, somehow. It's less stately, a little more. . . Catchy is not quite the word, but I think this record will be fun to drive to. Hard to tell, though."
VINYL FORMAT. High Violet is the highly anticipated follow up to 2007's Boxer. Singer Matt Berninger said of the album in an interview: "I don't think it sounds anything like Alligator, but it's less restrained than Boxer, that's for sure. I don't quite scream my head off in the way I did with "Mr. November", but I do think it's cathartic. Boxer was all tension without a whole lot of release. This builds a lot of those same kinds of tensions, but I think there's at least a little bit of bloodletting in this one. I'm trying to sing out and higher a little more, and the melodies move around a little more. When we started this record, I worked on melodies before I worked on lyrics. A lot of my melodies are sort of in a limited chanting, murmuring range, which has always worked for me. But I was trying to work on melodies this time much harder than I ever have in the past, and I think that alone has made the songs feel like they release more. I don't know; we're talking about abstract things. There's a lot of yelling on this record, but not quite the guttural, psychotic screams that were on songs like "Abel" and "Mr. November". I also think this record moves faster. I think it's going to be a longer record than Boxer, but hopefully it's going to feel shorter. The songs have much more momentum, somehow. It's less stately, a little more. . . Catchy is not quite the word, but I think this record will be fun to drive to. Hard to tell, though."
Tracklisting
Disc 1| 1 | Terrible Love |
| 2 | Sorrow |
| 3 | Anyone's Ghost |
| 4 | Little Faith |
| 5 | Afraid of Everyone |
| 6 | Bloodbuzz Ohio |
| 7 | Lemonworld |
| 8 | Runaway |
| 9 | Conversation 16 |
| 10 | England |
| 11 | Vanderlyle Crybaby Geeks |
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