1994, Cherry Red Records
βTo many rock fans of advancing years, the name Ron Geesin may be vaguely familiar for but one reason. Anyone who has ever closely scrutinized the credits of Pink Floyd's Atom Heart Mother might have at least been momentarily perplexed to discover that the side-long title track is the work of Gilmour-Waters-Wright-Mason and Geesin -- the only instance of a Floyd track being even partially composed by anyone other than a member of the band, (at least before David Gilmour started roping in outside lyricists after Roger Waters' departure). Geesin's main contribution to the 'Atom Heart Mother' suite was the elegiac cello melody, bizarrely subtitled 'Breast Milky.' Yet anyone thus prompted to get further acquainted with Geesin's solo work might have been in for something of a shock, for sober, classically tinged laments are far from being his stock in trade.
In the '70s, Ron Geesin's records -- by then released on his pioneering one-man label, Headscope -- used to bear the helpful instruction to record store staff: 'File under Ron Geesin.' This would have been unnecessary for any store that already had a section labeled 'Madcap electronic composers-cum-performance artists who also write and declaim absurdist poetry and make far-ranging radio programs for the BBC.' Yet even that would have grossly oversimplified the dizzying range of Geesin's work, which also includes painting, short stories, designing interactive sound and video-based art structures and installations, off-the-wall comedy, lecturing, and record production. In fact, his range of interests borders on the infinite.β β Christopher Evans, All Music Guide
In the '70s, Ron Geesin's records -- by then released on his pioneering one-man label, Headscope -- used to bear the helpful instruction to record store staff: 'File under Ron Geesin.' This would have been unnecessary for any store that already had a section labeled 'Madcap electronic composers-cum-performance artists who also write and declaim absurdist poetry and make far-ranging radio programs for the BBC.' Yet even that would have grossly oversimplified the dizzying range of Geesin's work, which also includes painting, short stories, designing interactive sound and video-based art structures and installations, off-the-wall comedy, lecturing, and record production. In fact, his range of interests borders on the infinite.β β Christopher Evans, All Music Guide
Tracklisting
Disc 1
| 1 | Ron's Address |
| 2 | Parallel Bar |
| 3 | Throat Sweat |
| 4 | Mental Passage |
| 5 | Whistling Heart |
| 6 | Go! |
| 7 | Fore-Tease |
| 8 | Twisted Pair |
| 9 | Big Imp |
| 10 | Morecambe Bay |
| 11 | Sit Down Mamma |
| 12 | T'mitch |
| 13 | Throb Thencewards Thrill |
| 14 | Smoked Hips (The Time Dance) |
| 15 | Fenzy |
| 16 | Animal Autos |
| 17 | Where Daffodils Do Thrive |
| 18 | Upon Composition |
| 19 | Can't You Stop That Thing? |
| 20 | Vocal Chords |
| 21 | Syncopot |
| 22 | Song Of The Wire |
| 23 | Affections For String Quartet |
| 24 | With A Smile Up His Nose, They Entered |
| 25 | Three Vignettes |
| 26 | Certainly Random |
| 27 | A Raise Of The Eyebrows |
| 28 | No. 8 Scalpel Incision Foxtrot |
Customer Reviews





