2011, Drag City
VINYL FORMAT. Anyone who loves
"outsider" folk legends from Tom Rapp to
Roy Harper or Gary Higgins to Peter
Grudzien knows the name of the legendary
bard Ed Askew. His 1968 ESP record
Ask the Unicorn is quite simply
one of the era's finest artifacts, full
of lilting, prickly, chiming songs of
loss, love and escapism—maybe the gay
Astral Weeks for the underground.
Around the turn of the century, an
equally compelling second album
surfaced, Little Eyes, where our
hero, armed only with tiple (a sort of
latin uke/banjo/guitar), laid out more
heartbreaking baroque odes, all recorded
in a single continuous take! Recorded
for ESP in 1970, it never got past the
test pressing stage and was eventually
lost, until De Stijil came sniffing some
thirty years on. After the '70s things
get a bit foggy—the odd radio session,
some live performances, a lot of
painting—but there were no more proper
albums to melt into. There wasn't an
audience really, or more importantly, a
label that believed in him. Fortunately
in the early '80s, Ed got his hands on a
harpsichord and tiple and a simple two-
track recorder and laid down some of his
tunes he'd been carrying around for
years. Released only on cassette in
miniscule quantities in 1984,
Imperfiction contains the same
emotionally raw yet wry observations, in
a decidedly no-frills sonic setting.
Broken glass on the sidewalk outside,
nice boys he meets in bars and the
joyous act of songwriting itself are all
fair game for subject matter, giving a
unique and intimate self-portrait of a
truly gifted songwriter.
Imperfiction is now available for the first time on vinyl via Galactic Zoo Disk/Drag City, with vintage photos and liners and sound that will transport fans back to the old days of Askew in all of its seemingly transient glory.
Imperfiction is now available for the first time on vinyl via Galactic Zoo Disk/Drag City, with vintage photos and liners and sound that will transport fans back to the old days of Askew in all of its seemingly transient glory.
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