Jawbox

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In their eight-year existence, Jawbox released four studio albums of increasingly skillful post-punk, not necessarily carrying the torch of their Washington, D.C., elders (Minor Threat, Embrace, Rites of Spring), but instead building on the tradition of Chicago's thriving early-'80s scene (Big Black, Naked Raygun, Effigies). Highly and unfairly scrutinized for being the first act to leave nber-indie Dischord Records, the band proved cynics wrong by releasing two excellent LPs for Atlantic that easily surpassed their Dischord output, all the whi...[more]

 

 

THIS ITEM IS A PRE-ORDER. WE EXPECT IT TO SHIP ON OR BEFORE THE NOVEMBER 24TH RELEASE DATE. Jawbox was born circa 1989, clawing their way from the primordial pond of DC's raucous, vibrant Dischord-driven underground to claim a seat of honor at the table of what eventually came to be called "post-harDCore." The racket raised by the four members was suitably loud, occasionally fast, and spirited enough live to move the punkers around the dance floor in something considerably less than a deco   [ read more ]

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THIS ITEM IS A PRE-ORDER. WE EXPECT IT TO SHIP ON OR BEFORE THE NOVEMBER 24TH RELEASE DATE. VINYL FORMAT. Comes with a coupon for a free download of the album! Jawbox was born circa 1989, clawing their way from the primordial pond of DC's raucous, vibrant Dischord-driven underground to claim a seat of honor at the table of what eventually came to be called "post-harDCore." The racket raised by the four members was suitably loud, occasionally fast, and spirited enough live to move the punke   [ read more ]

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Features 23 tracks worth of Peel sessions, unreleased sides from their final recording sessions, live stuff, and almost every B-side, cover, and compilation track ever! Also includes two booklets with photos and a complete live show list.

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Essentially recorded after getting enough songs together to fill out a 12" chunk of vinyl, Grippe's achievement was obscured increasingly after each successive Jawbox LP. That doesn't prevent it from being an enjoyable, albeit introspectively brutal record. J. Robbins might address a "you" during "Paint Out the Light" and "Tools and Chrome," but a self-flagellating nature can be detected throughout. That's what initially separated the band from their post-hardcore peers; instead of railing ag   [ read more ]

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Reissue! Novelty ushered in second guitarist and vocalist Bill Barbot, immediately bolstering Jawbox's might. Differing from the debut, the guitars are sharper and the riffs are more concise. Less straight-ahead, the record is also more dynamic, benefiting from more varied material. Novelty is transformed from a good record to a great one with the addition of the "Tongues" single. Full of dense swirls of swooping guitars, only to be ejected by a thick riff (the intro almost sounds like the Smiths' "   [ read more ]

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The screams of a thousand chain wallet-clad indie purists could be heard across the nation once word spread of Jawbox's signing to Atlantic; no band had left the good ship Dischord for a major label prior to Jawbox, so it wa   [ read more ]

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In their eight-year existence, Jawbox released four studio albums of increasingly skillful post-punk, not necessarily carrying the torch of their Washington, D.C., elders (Minor Threat, Embrace, Rites of Spring), but instead building on the tradition of Chicago's thriving early-'80s scene (Big Black, Naked Raygun, Effigies). -All Music Guide

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Even upon their arrival, Jawbox actually seemed like more of a Chicago band than a D.C. one, carrying the torch for bands like the then petering out Naked Raygun and the then-late Effigies and Breaking Circus. W   [ read more ]

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Out of Print CD. Will not last long! Features the 23 tracks worth of Peel session, unreleased tracks from their final recording sessions, and almost every B-side, cover and compilation track ever!

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Even upon their arrival, Jawbox actually seemed like more of a Chicago band than a D.C. one, carrying the torch for bands like the then petering out Naked Raygun and the then-late Effigies and Breaking Circus. While the trio's occasional bash-bash-bash rhythms certainly sounded like their roots were firmly entrenched in the D.C. hardcore {punk} of the '80s, J. Robbins' guitar playing surely took cues from Raygun's John Haggerty more frequently than Minor Threat's Lyle Preslar. Lik   [ read more ]

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