Closer (CD)
If "Unknown Pleasures" was Joy Division at their most obsessively, carefully focused, ten songs yet of a piece, "Closer" was the sprawl, the chaotic explosion that went every direction at once. Who knows what the next path would have been had Curtis not chosen his end? But steer away from rereading of his every lyric after that date, and treat "Closer" as what everyone else thought it was at first --simply the next album -- and Joy Division's power just seems to have grown.
| Tracklisting | |
| Disk | 1 | |
| 1 | Atrocity Exhibition |
| 2 | Isolation |
| 3 | Passover |
| 4 | Colony |
| 5 | Means to an End |
| 6 | Heart and Soul |
| 7 | Twenty Four Hours |
| 8 | Eternal |
| 9 | Decades |
| Aaron Ross
- Manhattan, KS, USA |
| On Closer Ian and the band did the impossible. They created an album to match their first masterpiece. In many ways Closer is much more frightening than Unknown Pleasures. The individual songs stand out more; from the absolute suicidal resignation of "Decades", to the quiet fear of " Passover" to the gut-wrenching blast of "twenty-four hours". The production by Martin Hannett dominates more than before, and the incredible sense of space in the songs perfectly balances the machine-like drums, the chainsaw guitar, and Peter Hook's amazing Bass play. But first and foremost this album belongs to Ian Curtis; never maudlin or self-pitying; his dark, soul-searching poetry is the best ever written for rock songs. His untrained but amazingly expressive voice looms over the music. Listening to this album is like being fed through a sawmill; death a welcome release at the end. The most powerfull album ever recorded. And, in my mind, the best. | |