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Jozef Van Wissem

Devoted to what he terms “The Liberation of the Lute,” his compositions for the instrument have involved a dynamic mix of conceptual, minimalist, classical and improvisational strategies. Over the last two decades, he has used cut-and-paste tactics, created palindromic compositions by playing pieces forwards and then backwards and used field recordings and free improvisation to create a sound world that is at once meditative and surprising, new and arcane. He composes mirror image melodies that step up and then back down seemingly without end His music therefore does not have a traditional linear progression, nor leads to a climax, it rather stays on the same level of intensity. It doesn’t demand concentrated listening, as it will bring the listener in a state of concentrated listening. His work is uncluttered and direct, with...

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