Goodnight Nobody finds unguarded Julie Doiron, efficiently but undeliberately creating her first masterpiece in a few days time at three different locations. This is similar to how Bob Dylan approached the making of his classic 60's output, ploughing through a studio in two to three days with a gangly crew of studio musicans. The result of such am approach is a collection of songs that all are "allowed" to speak for themselves. Their instinctive "rawness" remains intact, not cooked out by incessant knob twiddling or second-guessing.