Lotus Plaza
The project of Deerhunter guitarist/vocalist Lockett Pundt, Lotus Plaza recalls some of his other band's shoegaze-tinged hazy experimentalism and bursts of lucid guitar pop, but takes those sounds in directions influenced by '50s and '60s pop and '80s post-punk. Though he played in several groups during high school, Pundt wasn't in any serious bands until he met Deerhunter frontman Bradford Cox in college and joined the fold. Pundt began recording as Lotus Plaza in 2007, playing most of the instruments himself and working in his bedroom on a four-track and...[more]
![[Cover]](http://www.insound.com/annex/covers/INS54378.gif)
VINYL FORMAT. Lockett Pundt's of Deerhunter's first full length is an expansive meditation on the modern history of the pop song with an obvious appreciation for the atmospheric vocal harmonies of the 50's, the Brill Building writers of the 60's amd the sounds of the early 80's postpunk UK scene. The production is multi-multi-layered with a seemingly endless amount of subtle detail in each track, while the vocals are generally low in the mix and add yet another layer to the sound.
LP $13.99
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![[Cover]](http://www.insound.com/annex/covers/INS54376.gif)
Lockett Pundt's of Deerhunter's first full length is an expansive meditation on the modern history of the pop song with an obvious appreciation for the atmospheric vocal harmonies of the 50's, the Brill Building writers of the 60's amd the sounds of the early 80's postpunk UK scene. The production is multi-multi-layered with a seemingly endless amount of subtle detail in each track, while the vocals are generally low in the mix and add yet another layer to the sound.
CD $13.99
Other people also bought:
Grouper Dragging a Dead Deer Up a Hill, The Pains of Being Pure At Heart The Pains of Being Pure At Heart, Wavves Wavvves
![[Cover]](http://www.insound.com/annex/covers/INS55596.gif)
Lockett Pundt's of Deerhunter's first full length is an expansive meditation on the modern history of the pop song with an obvious appreciation for the atmospheric vocal harmonies of the 50's, the Brill Building writers of the 60's amd the sounds of the early 80's postpunk UK scene. The production is multi-multi-layered with a seemingly endless amount of subtle detail in each track, while the vocals are generally low in the mix and add yet another layer to the sound.
MP3 $9.99
Other people also bought:
Jaguar Love Take Me To The Sea, Syntheme Lasers 'n' Shit, M. Ward Duet For Guitars #2
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