2012, Software
VINYL FORMAT. Comes with a digital
download card! Megafortress is New York
musician Bill Gillim. The project was
conceived as a series of fictional field
recordings, and has transformed into a
collection of gorgeous vocal
meditations. His debut self-titled
release for Software Recording Co.,
Megafortress is a lucid and open
effort combining homebrewed and studio
recording elements into a dynamic cloud
cover, using only sparsely layered and
processed voice, sampled bells, and
touches of synthesizer.
At times, it feels like Gillim is concocting a new strain of (secular) devotional music; a contemplative, nascent music. Bill's obfuscated lyrics hint at a resonant, universal sphere where identity is formed but never hardens. Considering how simple and unadorned Gillim's setup is, the envisage is a testament to how powerful this music is.
Megafortress begins with "My Favorite Girl", on which Gillim's veiled falsetto is propelled forward through a hall of delays, accented by simple but completely unpredictable moments of synth vamp, while "Green Child" is the definitive exit music for the vocal segment of the EP, a contemporary dirge that wouldn't feel out of place if installed at the emotional / architectural nodes of Fallingwater, year 2012.
At times, it feels like Gillim is concocting a new strain of (secular) devotional music; a contemplative, nascent music. Bill's obfuscated lyrics hint at a resonant, universal sphere where identity is formed but never hardens. Considering how simple and unadorned Gillim's setup is, the envisage is a testament to how powerful this music is.
Megafortress begins with "My Favorite Girl", on which Gillim's veiled falsetto is propelled forward through a hall of delays, accented by simple but completely unpredictable moments of synth vamp, while "Green Child" is the definitive exit music for the vocal segment of the EP, a contemporary dirge that wouldn't feel out of place if installed at the emotional / architectural nodes of Fallingwater, year 2012.
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