VINYL FORMAT. Motley Crue's Journals of the Damned vinyl box set includes the LPs Too Fast For Love, Shout at the Devil, Theatre of Pain, Girls, Girls, Girls, Dr. Feelgood and Saints of Los Angeles - all pressed on high-quality 180-gram vinyl cut from the original analog masters! The box set also includes a limited-edition Motley Crue lithograph. Box set limited to 500 copies!

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VINYL FORMAT. Mötley Crüe's albums were a lot like episodes of Married With Children in the sense that they may not be great works of art but can be darn entertaining. With Bob Rock serving as producer, the L.A. headbangers savor the joys of trashy, unapologetically decadent fun on Dr. Feelgood -- an album that makes no pretense at being anything else. While nothing here is quite as commanding as "Shout at the Devil," "Wild Side," or "Live Wire," such hook-oriented MTV smashes as "Kickstart My Heart,   [ read more ]

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VINYL FORMAT. Girls, Girls, Girls continued Mötley Crüe's commercial hot streak, eventually going quadruple platinum as its predecessor, Theatre of Pain, had; meanwhile, the title track brought them their second Top 20 single, and "Wild Side" became a popular MTV item. In general, the Crüe really plays up the sleaze factor on this album, trying to recapture some of the street-tough grittiness that fueled Too Fast for Love -- even appearing on the cover astride motorcycles and wearing le   [ read more ]

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VINYL FORMAT. On their debut album, Mötley Crüe essentially comes across as a bash-'em-out bar band, making up in enthusiasm what they lack in technical skill. Yet that's part of the appeal of Too Fast for Love, a chance to hear the band without the glossy production of their later, most popular work, showcasing their down-and-dirty roots. The fact that pop-metal songwriting was not really a consideration helps the album come off as more genuinely trashy and sleazy, celebrating its own grime with exu   [ read more ]

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VINYL FORMAT. Backing away from the mild pseudo-Satanic posturing on parts of Shout at the Devil in favor of a more glammed-up image, Mötley Crüe really began to hit their commercial stride with Theatre of Pain, which broke them on MTV with the power ballad "Home Sweet Home" and a remake of Brownsville Station's "Smokin' in the Boys' Room"; the latter also landed them on the Top 40 singles chart for the first time. Overall, the guitar riffing sounds less heavy metal and more pop-metal; similar   [ read more ]

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