2005, Badman
More than just a document of one of the most compelling, unique songwriters and performers to emerge from Minneapolis, Mr. Serious synthesizes the manic energy and reflective songcraft that define Mark Mallman. His constantly-evolving musical persona currently plays like the progeny of Joe Cocker and Freddie Mercury as a southern Baptist preaching the gospel of rock'n'roll via renditions of Hedwig and the Angry Inch show tunes. After starting out in the Stonesy trash punk combo The Odd, Mallman released a solo CD and soon became known as the Twin Cities' premier keyboard wild man, kicking and smashing vintage keyboards, dislocating a shoulder and breaking fingers.
The costumes and punk aesthetic virtually vanished when Mallman transformed into a piano showman recalling in equal parts Elton John, James Brown, Lenny Bruce and David Lynch. His third full-length, The Red Bedroom, was named the #2 record of 2002 on the Minneapolis Star Tribune's year end critics' poll. Mallman's Milwaukee and Chicago strong fanbases have been building steadily and spreading nationally, as he has opened for a wide range of acts including Beth Orton, Everlast, Cat Power, The Barenaked Ladies, and others.
The costumes and punk aesthetic virtually vanished when Mallman transformed into a piano showman recalling in equal parts Elton John, James Brown, Lenny Bruce and David Lynch. His third full-length, The Red Bedroom, was named the #2 record of 2002 on the Minneapolis Star Tribune's year end critics' poll. Mallman's Milwaukee and Chicago strong fanbases have been building steadily and spreading nationally, as he has opened for a wide range of acts including Beth Orton, Everlast, Cat Power, The Barenaked Ladies, and others.
Tracklisting
Disc 1
| 1 | I Just Want to Play Piano |
| 2 | Hardcore Romantics |
| 3 | True Love |
| 4 | Simply in the Distance |
| 5 | Still Wasted |
| 6 | Executioner |
| 7 | Midnight Man |
| 8 | Hard Night |
| 9 | Proof Is What You Get |
| 10 | Anesthesia |
| 11 | Heart Is a Loaded Weapon |
| 12 | I Work Here, I Grew Up Here |
Customer Reviews




Celia StephensThis album's ridiculous in concept and even more absurd in execution--it's like a goofy-ass John Vanderslice (as far as songwriting and vocals) or a speed-fed, amplified Ben Folds or a heterosexual, perfectly unpolished Elton John, banging on the ivories like a savage. I bet this dude's a blast at parties. Don't misunderstand, he's a proficient musician, but his colorful, irreverent bombast supersedes anything truly serious, as comparable frontmen Freddie Mercury (RIP) and Justin Hawkins. Even "Executioner" has an almost jubilant choral arrangement to it, despite the solemn lyrics. Mallman's not ostentatious, per se, rather he is cool because he knows he's not cool and makes damn catchy piano pop songs reflecting this self-awareness. Seriously, folks, succumb to this.






