Keeping the same line-up from Henry's Dream, Nick Cave and company turn in yet another winner with Let Love In. Compared to Henry's Dream, Let Love In is something of a more produced effort -- longtime Cave boardsman Tony Cohen oversees things, and from the first track, one can hear the subtle arrangements and carefully constructed performances. Love, unsurprisingly, takes center stage of the album. Besides concluding with a second part to "Do You Love Me?," two of its stronger cuts    [ read more ]

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A powerful western drama set in the savage Eden of 1880s Australia, The Proposition is an elemental story of family conflict and primal violence, destructive love and divided loyalties. Featuring an international superstar cast including Guy Pearce, Ray Winstone, Emily Watson and Danny Huston, it is directed by John Hillcoat from a specially commissioned script by the globally acclaimed singer-songwriter Nick Cave. Cave has also composed the film's soundtrack in conjunction with Warren Ellis, his longtime B   [ read more ]

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Nick Cave and Warren Ellis, of the internationally celebrated bands Nick Cave and the Bad Seeds, The Dirty Three and Grinderman, have composed, played and produced a compelling and intense soundtrack for director Andrew Dominik's savage tale of the true West, The Assassination of Jesse James By The Coward Robert Ford.

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With guitarist/keyboardist Roland Wolf and Cramps/Gun Club veteran Kid Congo Powers on guitar added to the ranks, along with guest appearances from old member Hugo Race, the Seeds reached 1988 with their strongest album yet, the insanely powerful, gripping Tender Prey. Rather than simply redoing what they'd already done, Nick Cave and company took their striking musical fusions to deeper and higher levels all around, with fantastic consequences. The album boldly starts out with an un   [ read more ]

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Losing Wolf, aside from the final reprise of "Lucy," but otherwise making no changes in the line-up, the Seeds followed up Tender Prey with the equally brilliant but generally calmer Good Son. At the time of its release there were more than a few comments that Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side. This not only ignored the constant examples of such quieter material all the way back t   [ read more ]

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Continuing the creative roll of Tender Prey and The Good Son, Henry's Dream showed the band in fierce and fine fettle once more. The biggest change was with the choice of producer -- David Briggs, famed for his work on some of Neil Young's strongest albums. While Cave later thought the experiment didn't work as well as he might have hoped, Briggs does a fine enough job, perhaps not letting the group's full intensity through but still capturing a live feel nonetheless. Cave himself of   [ read more ]

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Besides being noteworthy as an astonishingly good all-covers album, Kicking Against the Pricks is notable for the arrival of a new key member for the Seeds, drummer Thomas Wydler. Besides being a fine percussionist, able to perform at both the explosive and restrained levels Cave requires, Wydler also allowed Harvey to concentrate on adding guitar and keyboards live as well as in the studio, a notable bonus. Race reappears briefly to add some guitar while former Birthday Party cohorts {   [ read more ]

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The blues had long been a potent undercurrent in the Birthday Party's music, so it wasn't all that surprising that Nick Cave embraced the sound and feeling of rural blues on his second album with the Bad Seeds, The Firstborn Is Dead. What was startling was how well Cave and his bandmates -- Barry Adamson, Mick Harvey, and Blixa Bargeld -- were able to absorb and honor the influences of artists like Skip James and Charley Patton while creating a sound that was unmistakably their   [ read more ]

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Reduced to a quartet for the most part, with Adamson joining Cave, Bargeld, Harvey and Wydler on only a couple of tracks, the Seeds turn from the interpretive triumph of Kicking Against the Pricks to another strong high, the mostly-original Your Funeral...My Trial. The one cover is a sharp, unsurprisingly dramatic version of Tim Rose's "Long Time Man." As for the rest of the album, Trial shows the Seeds working as, again, a remarkably accomplished and varied act, ever ava   [ read more ]

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Exactly what it says it is, and quite good at that -- some fans consider many of the songs on Nick Cave & the Bad Seeds Live Seeds to be superior to their studio equivalent -- a testament to its overall quality. Recorded at various spots on the Henry's Dream tour and originally sold with a small picture book documenting said tour, Live features the same sextet that performed on Dream bringing the noise with commanding authority. Cave himself is unsurprisingly in excelsis, his declamatory a   [ read more ]

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In some ways, Murder Ballads is the record Nick Cave was waiting to make for his entire career. Death and violence have always haunted his music, even when he wasn't explicitly singing about the subject. On Murder Ballads, he sings about nothing but death in the most gruesome, shocking fashion. Divided between originals and covers, the record is awash in both morbid humor and sobering horror, as the Bad Seeds provide an appropriate backdrop for the carnage, alternating between blues, {\countr   [ read more ]

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