Nine Types Of Ambiguity

...first there was the punch-up at the classical music section, then, to read that one would inevitably encounter things in the quest for the absolute: well, Adam Vert was beside himself. However, now he understood the music, the sounds, the tones of natural beauty, the function of coupling, the methodology of inversion, and the loneliness of the orchestra music stand with its solid wooden music rest . . . 'Music plus noises, then? No, the noises have liberated themselves and no longer merely annoy; rather, they enhance the tonal body comprising melody, nostalgic evocations of disrupted beats and the ornament of clef symbols.' And yet it sucks and slurps, distorts, explodes and seethes, just like blowing into a lava flow through a straw.' Bla bla bla. Every noise is capable of being music, and all music is capable of being noise. It all depends on dramaturgical positioning. These dilapidated hover-trains made of mildly distorted harmonies, the ticker-licker Wall of Sound, Hacker-Jazz;