No Need To Be Downhearted

'The Electric Soft Parade began as a psychedelia-infused indie band that blended the {post-grunge} fuzziness of Silverchair with the troubled dreaminess of post-Syd Barrett Pink Floyd, and in many respects their third full-length, No Need to be Down-Hearted, shows how little they've changed. Woken by a Kiss drifts, Comfortably Numb-style, through much of the same kind of reverb-heavy, druggy, fuzzy territory explored on their first album, Holes in the Wall. And Shore Song/Surfacing, with its Elliott Smith-like lilt, recalls the dreaminess of American Adventure. But this is a far more commercial album than the second album ever hoped to be, and it's probably because No Need is an actual American adventure; it's the band's first U.S. release, and their desire to cater to American fans of handclappy {Brit-pop} is palpable. Life in the Backseat is bobble-headed and radio-ready, all organ wails and full-speed-ahead synth lines yanked from a video game. It's addictive, it's derivative, and it finds the ESP with the confidence and full-tilt momentum that were sorely missing from their previous releases. No Need to be Downhearted pulls the ESP's dreamy paisley-printed {indie rock} into sharp focus: this is the band at their most focused and most capable. The synth-heavy meanderings of their second album have been roughed up, and the Spacehog-like bounce of Holes has morphed into angular {Brit-pop} along the lines of Bloc Party or the Kaiser Chiefs. They've given up some of the whimsy and trippiness that marked their first two releases, but they've gained direction.' ~ Margaret Reges, All Music Guide