Years in the making, Peeping Tom, noise rock renaissance man Mike Patton's most accessible work since his days in Faith No More, is finally a reality. In keeping with the landmark 1960 psychological horror film that inspired its name, Peeping Tom had its genesis a modus operandi devoid of physical intimacy. Patton would write songs with a wishlist of theoretical collaborators in mind, then hope for a reply in the form of a finished track. "It's an exotic way of working for someone accustomed to a band environment," Patton says. "It was charming, really. None of the usual Animal House stuff. Instead of swapping spit and underwear, we were swapping files."