The only problem with the R. Carlos Nakai/Peter Kater collaborations is that Kater's acoustic piano can become heavy-handed and self-serving. Such is the case with Natives. Nakai's breathy flutes are awesome and, as usual, give the disc ethereal qualities that might not be intentional. Nakai and Kater designed this set for meditation and centering. It works to a degree but it lacks that something extra to take it over the top. There are some strong moments on this disc but -- given the quality of t   [ read more ]

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Migration seems almost capable of sweeping away any sense of trouble, and soothing out any fears. The music on the album is basically of an improvisational nature, with pianist Kater and flautist Nakai developing themes and ideas that were then fleshed out in the process of recording. The music was conceived originally as a foundation for personal ritual; in the thematic development that followed, the scope of the music was widened to include spiritual growth as well, hence the title and direction    [ read more ]

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Due to the use on various selections of a native American flute, an eagle bone whistle, the moxenio and pincullo flutes, a penny whistle, an oboe, and a duduk, this set appears to be quite exotic and potentially adventurous. Unfortunately, pianist Peter Kater's synthesizers and his apparent love for smooth jazz make all of the music sound quite predictable despite the interesting tone colors. The flutes and other instruments are merely props for the lightly funky, danceable, and rather innocuous music   [ read more ]

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Through Windows and Walls is the umpteenth collaboration between R. Carlos Nakai and Peter Kater. It is, as expected, a set of classy, sensitive, and sensible arrangements. Kater's powerful keyboards play with, to, and around Nakai's supersonic flutes and whistles. The compositions are serene and soulful. Kater and Nakai are in total synergy and harmony, and reach listeners on several levels. This is great acoustic ambience. It will appeal to fans of Dean Evenson, {$Robert Tree Cody   [ read more ]

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When the Discovery Channel commissioned Peter Kater to compose and perform the soundtrack for {#How the West was Lost}, he made some great decisions. He recruited R. Carlos Nakai, Joanne Shenandoah, the White Oak Singers, and other remarkable musicians to assist him. He created six and a half hours of deeply atmospheric music for the 13-hour documentary. How the West Was Lost, Vol. 2 is the second CD of this reverent music. Kater is certainly a talented individual and his capability gro   [ read more ]

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Songs for Humanity: A Celebration of Ten Years, 1988-1998 is a documentation of the brilliant cross-cultural ambience of Peter Kater and R. Carlos Nakai. The collection spans ten years, six CDs, and 13 compositions, two of which are new. Nakai and Kater blend acoustic, symphonic, and electronic elements with style, grace, and class. Kater's acoustic piano has vibrant timbres. Nakai's flutes are strong and atmospheric. The soundscapes have immense depth. This essential collection will ap   [ read more ]

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