Public Enemy

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Public Enemy rewrote the rules of hip-hop, becoming the most influential and controversial rap group of the late '80s and, for many, the definitive rap group of all time. Building from Run-D.M.C.'s street-oriented beats and Boogie Down Productions' proto-gangsta rhyming, Public Enemy pioneered a variation of hardcore rap that was musically and politically revolutionary. With his powerful, authoritative baritone, lead rapper Chuck D rhymed about all kinds of social problems, particularly those plaguing the black community, often condoning revolutionar...[more]

 

 

Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it reconfigures things that came before into a startling, fresh, modern sound. Public Enemy used the template Run-D.M.C. created of a rap crew as a rock band, th   [ read more ]

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First-ever full length retrospective from the most influential hip-hop/rap group of all time! Featuring Chuck D, Flavor Flav, Terminator X, and Professor Griff. 18 digitally remixed classics including 'Fight the Power,' 'Bring the Noise,' 'Rebel Without a Pause,' 'Don't Believe the Hype,' '911 is a Joke,' 'Can't Truss It,' and 'He Got Game.' This release is complete with deluxe packaging including rare photos, detailed credits and insightful essays from Harry Allen and the Beastie Boys' Adam Yauch.

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VINYL FORMAT. "...It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do...what's particularly ingenious about [this] album is how it reconfigures things that came before into a startling, fresh, modern sound. Public Enemy used the template Run-D.M.C. created of a rap crew as a rock band, then brought in elements of free jazz, hard funk, even musique concrete, via their producing team, the Bomb Squad, creating a dense, ferocious sound unlike anything t   [ read more ]

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At the time of its release in March 1990 -- just a mere two years after It Takes a Nation of Millions -- nearly all of the attention spent on Public Enemy's third album, Fear of a Black Planet, was concentrated on the dying controversy over Professor Griff's anti-Semitic statements of 1989, and how leader Chuck D bungled the public relations regarding his dismissal. References to the controversy are scattered throughout the album -- and it fueled the incendiary lead single, {&"Welcome to the    [ read more ]

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VINYL FORMAT. Studio album number 11 is a throwback. Intended as a special project, Rebirth Of A Nation is a full-fledged collaboration between Paris and Public Enemy, with Paris taking on all production duties to deliver one of PE's most focused projects to date. With numerous references to Golden-era PE, Rebirth Of A Nation effectively presents the messages of self-sufficiency and empowerment that are Public Enemy hallmarks, but with an updated 2006 sensibility, as Paris pulls out all of th   [ read more ]

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Public Enemy's been pioneers in combining verbal acumen with technological advances, performance artistry and theatricality, thematic integrity and artistic control. In an era where mega-national corporations dominate the marketplace and many rappers prefer being popular to being relevant, Public Enemy remain vibrant and topical. They've also forged and maintained a creative legacy that has a timeless quality, yet gives listeners intricate and compelling slices of life from the various eras in which these s   [ read more ]

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Sometimes, debut albums present an artist in full bloom, with an assured grasp on their sound and message. Sometimes, debut albums are nothing but promise, pointing toward what the artist could do. Public Enemy's gripping first album, Yo! Bum Rush the Show, manages to fill both categories: it's an expert, fully realized record of extraordinary power, but it pales in comparison with what came merely a year later. This is very much a Rick Rubin-directed production, kicking heavy guitars toward the fr   [ read more ]

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Studio album number 11 is a throwback. Intended as a special project, Rebirth Of A Nation is a full-fledged collaboration between Paris and Public Enemy, with Paris taking on all production duties to deliver one of PE's most focused projects to date. With numerous references to Golden-era PE, Rebirth Of A Nation effectively presents the messages of self-sufficiency and empowerment that are Public Enemy hallmarks, but with an updated 2006 sensibility, as Paris pulls out all of the musical stop   [ read more ]

Buy Now CD $14.99

 

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The Pixies  DoolittleThe Streets  The Hardest Way To Make An Easy LivingLoose Fur  Born Again In The USA

 

 

 

 

Coming down after the twin high-water marks of It Takes a Nation of Millions and Fear of a Black Planet, Public Enemy shifted strategy a bit for their fourth album, Apocalypse 91...The Enemy Strikes Black. By and large, they abandon the rich, dense musicality of Planet, shifting toward a sleek, relentless, aggressive attack -- Yo! Bum Rush the Show by way of the lessons learned from Millions. This is surely a partial reaction to their status as the Great Black Hope of rock & roll; th   [ read more ]

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They may go in and out of fashion, fall out of critical favor, have comebacks and slumps, but even at their worst, the truly great artists have flashes where their brilliance shines through. Public Enemy is one of those bands. When they released Revolverlution in 2002, they had been out of favor for a full decade, and throughout that time in the wilderness, the band fluctuated between brilliance (He Got Game) and unfocused meandering (Muse Sick), but the one constant remained -- even when they w   [ read more ]

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Opening with a sonic collage straight out of Fear of a Black Planet, There's a Poison Goin' On. . . comes out of the gates sounding like classic Public Enemy, which is exactly what Public Enemy intended, since their slight sonic change-up on He Got Game didn't result in a hit. In a way, PE's feud with Def Jam over downloadable MP3 music was a good thing, since it brought them media attention, which is rare for a veteran hip-hop band. Such increased exposure also brought a minor cont   [ read more ]

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