David Kennedy’s work as Ramadanman and Pearson Sound has been a positive scourge on the airwaves this past year. His current deviation from any kind of conventional ‘dubstep’ template hasn’t come as a shock for anyone who’s been following his career from the start - he’s always had a particular slant and a percussively textured style all of his own that’s often layered with thick and potent bass frequencies and synth washes - but it seems like with recent material like ‘Work Them’ (released on Loefah’s Swamp81 imprint) Kennedy is simply toying with the world’s expectations of him.
As a key component behind some of the most daring dancefloor music released in the last year, both as a producer and as a label owner – Kennedy co-runs the Hessle Audio imprint, alongside Pangaea and Ben UFO - he’s travelled the worl...
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