Red Bloom of the Boom

Red Bloom of the Boom marks the in-between moment of Jon Philpot's solo explosion becoming a full band's orchestra of sound. 'We started clean and natural and as time passed we twisted, distorted and tweaked. After all that we're as handsome as ever,' says Philpot, in a simple-yet-accurate explanation of the monster of a band that Bear In Heaven, unassumingly walking the streets of Brooklyn, has so suddenly, but deliberately, become.

The album is a timeline, according to Philpot, as well as an exercise in collaboration: 'The group's core formed after a version of 'Shining and Free' was recorded. Our pal Gerry Fuchs (Turing Machine, !!!, Maserati) played drums on that song. Once Joe [Stickney, drummer] was onboard we went ahead with the others...We did 'Werewolf' and 'Slow Gold' at Sean Maffuci's studio. We we're able use his MU-tron, old pre-amps, tape echo and zero gravity chamber...There are guest singers...Alley [Alejandra Deheza of School of Seven Bells], Paul Duncan, Eva [Eva Puyelo Muns of Savath & Savalas]: amazing folks.' Intra-band admiration continues with guitarist Adam Wills commenting that once-solo Philpot 'brought a lot to the table as far as being able to let his own material go, to adapt it/edit it/change it/delete it/re-write over the course of a year in order to make it perfect.'