Sam Bush
Sam Bush extended the musical capabilities of the mandolin and the fiddle to incorporate a seamless blend of bluegrass, rock, jazz, and reggae. As the founder and leader of the New Grass Revival, Bush pioneered and guided the evolution of modern hill country music. Together with the bluegrass supergroup Strength in Numbers, he pushed the traditions even further. During a five-year stint with the Nash Ramblers, he provided a diverse range of textures for the songs of Emmylou Harris. On his own, Bush has continued to explore an eclectic musical s...[more]
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Sam Bush's newgrass mandolin playing is at its peak on the appropriately titled Glamour & Grits -- solidly rooted with the traditional feel of the best contemporary bluegrass, but constantly pushing at the edges of composition and performance, giving each song a decidedly progressive feel. Surrounding himself with a blindingly talented list of supporting musicians (BTla Fleck, Jerry Douglas, Al Kooper, among others), Bush still manages to maintain his own presence on the mandolin [ read more ]
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With the release of Ice Caps: Peaks of Telluride, Bush pays tribute to the legendary music festival, pulling together some of his finest live performances from the event, all taped during the 1990s. Accompanied by longtime compatriot Jerry Douglas on Dobro, Bush turns in an unparalleled rendition of Bob Dylan's "Girl From the North Country" and the music just keeps flowing free and pure. Speaking of special guests, the album is chock full of them, from New Grass bandmates BTla Fleck [ read more ]
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One of the first things one notices when popping this Acoustic Disc album into the CD changer is the clean, natural production. A mandolin on the right track, another on the left, and a guitar in the center, all lovingly mixed for clarity and a solid acoustic sound. This same careful approach is obvious from the opening notes of the first piece, "Hartford's Real," on Hold On, We're Strummin'. Bush and Grisman's mandolins tease out a minute-and-a-half intro, each note coming forth bright and c [ read more ]
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King of My World is only Sam Bush's fifth solo album in the last 19 years, but it's also his fourth in the last eight years, reflecting his movement from leadership of New Grass Revival, which packed it in 1989, to a solo career. Still, making solo albums is not a primary activity for this in-demand session musician, so it's always nice when he takes the time out to make a record as a leader. King of My World, featuring a backup band including Jon Randall Stewart (guitar), Byron House (bas [ read more ]
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A wildly talented multi-instrumentalist (mandolin, fiddle, banjo, guitar, pretty much anything with strings), Bush weaves an eclectic blend of bluegrass, country, folk and jazz on this solo release from Sugar Hill. With such gifted cohorts as Bela Fleck, Jerry Douglas and J.D. Crowe on hand, the musicianship here is frequently dazzling. The album is evenly split between instrumental and vocal numbers, with the instrumentals faring better. Bush and John Cowan handle the vocal duties, and wh [ read more ]
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Sam Bush has been one of the most respected and loved bluegrass icons since his work with the New Grass Revival during the early '70s. Few folk today remember what a stir the New Grass Revival made at the time with their long hair and acoustic rock take on "Great Balls of Fire." On 2006's Laps in Seven, singer/mandolinist Bush covers the bluegrass continuum with ease, offering fairly traditional fare like "Bringing in the Georgia Mail" and progressive jazz like {$Jean-Luc [ read more ]
CD $17.08