The Slits

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Along with the Raincoats and Liliput, the Slits are one of the most significant female punk rock bands of the late '70s. Not only did they bravely (or foolishly, you be the judge) leap into the fray with little, if any, musical ability (on their debut tour with the Clash, Mick Jones used to tune their guitars for them), but through sheer emotion and desire created some great music. This was especially true when they worked with veteran reggae producer Dennis Bovell, setting the stage for a future generation of riot grrrls. Though much derided in their s...[more]

 

 

'Along with the Raincoats and Liliput, the Slits are one of the most significant female punk rock bands of the late '70s. Not only did they bravely (or foolishly, you be the judge) leap into the fray with little, if any, musical ability (on their debut tour with the Clash, Mick Jones used to tune their guitars for them), but through sheer emotion and desire created some great music. This was especially true when they worked with veteran reggae producer Dennis Bovell, setting the stage for a future generati   [ read more ]

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'Along with the Raincoats and Liliput, the Slits are one of the most significant female punk rock bands of the late '70s. Not only did they bravely (or foolishly, you be the judge) leap into the fray with little, if any, musical ability (on their debut tour with the Clash, Mick Jones used to tune their guitars for them), but through sheer emotion and desire created some great music. This was especially true when they worked with veteran reggae producer Dennis Bovell, setting the stage for a future generati   [ read more ]

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In the realm of post-punk, the arrival of the first new Slits album in 28 years is roughly akin to a surprise return to publishing from J.D. Salinger. Led by the charismatic Ari Up, the Slits were deeply rooted in the first-generation U.K. punk scene, and became pioneers not only of post-punk itself, but of femme-punk and the use of reggae and dub in a post-punk context. The Slits' 1979 debut, Cut, inspired legions of jagged, rebellious, female-fronted bands for decades to come, and 30 years later, t   [ read more ]

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In the realm of post-punk, the arrival of the first new Slits album in 28 years is roughly akin to a surprise return to publishing from J.D. Salinger. Led by the charismatic Ari Up, the Slits were deeply rooted in the first-generation U.K. punk scene, and became pioneers not only of post-punk itself, but of femme-punk and the use of reggae and dub in a post-punk context. The Slits' 1979 debut, Cut, inspired legions of jagged, rebellious, female-fronted bands for decades to come, and 30 years later, t   [ read more ]

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VINYL FORMAT. One of the most significant female punk rock bands of the late 70's. 12 tracks recorded live featuring classics like "Newtown," "A Boring Life," "Number One Enemy" (with guest vocalist NINA HAGEN) & "In The Beginning" (starring the beautiful voice of NENAH CHERRY). Nice art. Gatefold cover.

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VINYL FORMAT. One of the most significant female punk rock bands of the late '70s. Working with veteran reggae producer Dennis Bovell, they helped set the stage for a future generation of riot grrrls. Cut is the remastered reissue of the influential and ground-breaking punk act's 1979 debut album. Includes two bonus tracks, a remix of "Love und Romance," "Liebe And Romanze' (Slow Version) and the legendary cover version of Marvin Gaye's "I Heard It Through the Grapevine" that only ever appeared previously a   [ read more ]

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The Slits are one of the last remaining bands from the inner circle of Punk. Their meaning and relevance transcends even that narrow classification. They became the forerunners of a unique Dub/Punk fusion. They remain one of the most influential bands in the world. After a 25 year sabbatical which has seen Ari Up moonlight as the legendary Ragga Queen Mad-dusa and Tessa become a lethal martial arts expert (whilst bringing up their respective children) The slits Are Back! The core of Ari & Tessa have joined    [ read more ]

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The full 1981 album + a bonus CD that features ALL the archived dub versions and an american radio interview of the time that was subsequently used by CBS for a ultra rare promo disc. New graphic Artwork and two of the classic photos by Anton Corbijn from the NME magazine cover session. The 1981, second, and final, Slits studio album, featuring the same line up as their first album "Cut", Ari Up, Tessa Pollit and Viv Albertine. This record has often been overshadowed by the more controversial 19   [ read more ]

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Never released in America, the Slits' second and final record found them pushing the envelope rhythmically. Although designed to be more commercial than Cut, it's actually less so, sounding more like the innovative work a young Adrian Sherwood was doing with Creation Rebel. Fans of the early Slits, who were put off by the reggae of Cut, were no doubt further alienated by this record's comfortable use of Afro-pop tempos and style. Which was a shame, because this music was interesting, darin   [ read more ]

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Historically, this tape of a January 26, 1978 show in Paris has considerable value. It's the original lineup of the Slits -- Ari Up on vocals, Viv Albertine on guitar, Tessa Pollitt on bass, and Palmolive (who would leave before the Slits' first album, and later join the Raincoats) -- well in advance of the release of the group's first LP in 1979. Musically, however, Live at the Gibus Club is not as exciting as either of the Slits' later releases, or as legend would have the band    [ read more ]

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Almost as well-known for its cover (the three Slits are half-naked and covered in mud) as for its music, Cut is an ebullient piece of post-punk mastery that finds the Slits' interest in Caribbean and African rhythms smoothly incorporated into their harsher punk rock stylings. Ari Up's wandering voice (a touch like Yoko Ono) might be initially off-putting, but not so much so that it makes listening to the record difficult. Six tracks are revamped from earlier Peel Sessions and sound better    [ read more ]

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