Rather Ripped (LP)
VINYL FORMAT. 2005 had Sonic Youth revisiting awesome Japan, touring the boroughs of New York, rollicking at the first Arthurfest in L.A., and releasing the special deluxe edition of GOO. After one final gnarl out in Brazil with Flaming Lips, The Stooges and others Mr. Jim O'Rourke decided to concentrate full-time on his Japanese studies of language and film and SY was subsequently back to it's OG nucleus of Kim-Thurston-Lee-Steve. Songs were written, Jim recommended engineer TJ Doherty and J Mascis (Dinosaur Jr) recommended mix engineer John Agnello and SY created the oddly titled "Rather Ripped". The whole deal was recorded in the waning hours of 2005 into the dawn sunshine of 2006 at the venerable Sear Sound studios in NYC's fading theatre district. Partially mixed there and at Hoboken, NJ's Water Music by the golden juice ear of John Agnello it exhibits SY in positive vibration mode. 12 songs of forward motion and harmonic/melodic surprise. Vocals shared by the frontline of Thurston, Kim and Lee with Steve groove gluing the rhythms into rock n roll infection. They bust out o' the sonic barn with Incinerate and Reena then contemplate holy war mind games with Do You Believe in Rapture? and keep cruising strong with track after track of risk-laden rock jammers until floating out with the curious Or.
This is a straight-up Sonic Youth field on fire, with a compact potency of rock n roll enlightenment. Rather ripped, indeed.
| Tracklisting | |
| Disk | 1 | |
| 1 | Reena |
| 2 | Incinerate |
| 3 | Do You Believe in Rapture? |
| 4 | Sleepin' Around |
| 5 | What a Waste |
| 6 | Jams Run Free |
| 7 | Rats |
| 8 | Turquoise Boy |
| 9 | Lights Out |
| 10 | The Neutral |
| 11 | Pink Steam |
| 12 | Or |
| Andrew Broussard
- Boston, MA, USA |
| Having never really given much time to Sonic Youth, I was finally inspired to pick up "Rather Ripped" after receiving a glowing review from friends who attended a recent gig. I'm happy to say that it doesn't disappoint and is an excellent introduction to the band. Thurston Moore and Kim Gordon provide wonderful vocal counterpoints as they trade off over the course of the album and the sonic assault of three guitars reveals new facets upon repeated listenings. | |