Steve Earle

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In the strictest sense, Steve Earle isn't a country artist; he's a roots rocker. Earle emerged in the mid-'80s, after Bruce Springsteen had popularized populist rock & roll and Dwight Yoakam had kick-started the neo-traditionalist movement in country music. At first, Earle appeared to be more indebted to the rock side than country, as he played a stripped-down, neo-rockabilly style that occasionally verged on outlaw country. However, his unwillingness to conform to the rules of Nashville or rock & roll meant that he never broke through in...[more]

 

 

To say Steve Earle had career problems in 1994 when he recorded Train a Comin' is something more than an understatement. Earle's life went into a dramatic tailspin thanks to a voracious drug habit after he parted ways with MCA in 1991, and he ended up spending a few months in jail on drug and weapons charges in 1993. Earle thankfully got treatment for his addictions while behind bars, and was clean and sober for the first time in many years when he scored a deal with a tiny independent label,   [ read more ]

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VINYL FORMAT. Steve Earle's new album Townes, is his highly anticipated follow up to the Grammy Award winning album Washington Square Serenade. The 15-song set is comprised of songs written by Earle's friend and mentor, the late singer-songwriters Townes Van Zandt. The songs selected for Townes were the ones that meant the most to Earle and the ones he personally connected to. Some of the selections chosen were songs that Earle has played his entire career ("Pancho and Lefty   [ read more ]

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Steve Earle's new album Townes, is his highly anticipated follow up to the Grammy Award winning album Washington Square Serenade. The 15-song set is comprised of songs written by Earle's friend and mentor, the late singer-songwriters Townes Van Zandt. The songs selected for Townes were the ones that meant the most to Earle and the ones he personally connected to. Some of the selections chosen were songs that Earle has played his entire career ("Pancho and Lefty," "Lungs," "W   [ read more ]

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After an extremely rare three year break from recording, Grammyฎ Award winner Steve Earle is back, with Washington Square Serenade. The album represents a number of firsts for Steve: his first record for New West Records, his first album produced in New York City (now his home), and his first produced by John King of The Dust Brothers (Beck, Beastie Boys) at the legendary Electric Lady Studios.

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Steve Earle subtitled his 2003 live album Just an American Boy an "Audio Documentary," which may be a bit more grand than it deserves, though in all fairness an awful lot had happened with Earle in the 12 years since his last live album, Shut Up and Die Like an Aviator (recorded shortly before Earle's drug habit bottomed out both his career and his personal life for several years), and a lot was going on with him at the time this show was recorded. Always free with his opinions, Earle's 20   [ read more ]

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Anyone who figured that Steve Earle's triumphant return to form on I Feel Alight was either a fluke or a burst of second wind attributable to his return to health got the message that Earle was back to stay with 1997's El Coraz=n. El Coraz=n isn't as consistently strong as I Feel Alright and lacks a bit of that album's thematic unity, but the high points connect just as powerfully, and the album kicks off with a tremendous one-two punch, the rousing acoustic ballad {&"Christmas in Washingt   [ read more ]

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Steve Earle quietly announced he was back in action and capable of making substantial, heartfelt music again with his 1994 acoustic album Train a Comin', but on 1995's I Feel Alright Earle showed he was truly back in fighting shape, and from the album's first moments he sounds ready to roar and holds nothing back. While Earle's battle with drug abuse and his brief stay in prison aren't explicitly addressed on this album (except on the harrowing "CCKMP," in which Earle confesses "cocaine   [ read more ]

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Although his personal life was plagued with troubles during the late '80s, Steve Earle wrote a wealth of first-rate songs during that time and the majority of those tunes are collected on the double-disc set Ain't Ever Satisfied. Spanning his career from 1985's Guitar Town to 1991's Shut Up and Die Like an Aviator, Ain't Ever Satisfied hits nearly every high point. It's an excellent retrospective, illustrating exactly why Earle was one of the most acclaimed country singer/songwriters of   [ read more ]

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In the wake of Guitar Town's success, Epic rushed out this collection of early Steve Earle tracks recorded from 1982 to 1985, including songs from 1982's Pink & Black EP. While much of this is by-the-book rockabilly fare, it provides a good look at his formative years. The CD reissue on Koch adds four tracks from Epic singles, including covers of tunes by John Hiatt and Dennis Linde. ~ Chris Woodstra, All Music Guide

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After Steve Earle's 1990 album The Hard Way stumbled in the marketplace and his drug addiction became a poorly kept secret in Nashville, he was on the outs with his record label, MCA, who decided to let him out of his contract in the time-honored fashion, with a live album. Shut Up and Die Like an Aviator was recorded in October 1990 during a pair of shows in Ontario, Canada, where Earle had become an arena-level star, and features him and his band rolling through a set of his biggest hits. W   [ read more ]

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In his liner notes to Sidetracks, Steve Earle writes the following: "With the exception of the instrumentals...these (songs) are not outtakes. They are, rather, stray tracks, recorded at different times for different reasons that I am very proud of and are either unreleased or underexposed." In other words, Earle would appreciate it if you didn't call this another odds-and-sods collection and, given the consistent strength of his post-recovery body of work, he has every right to feel that way about   [ read more ]

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Steve Earle is a rebel. Not in the Hollywood/James Dean/{#Easy Rider}/rebel-against-society sense, but rather in a real and personal way. Throughout his life and career he has rebelled against the very industry that surrounded him and did not find the freedom he sought until he started his own label, E-Squared. He rebelled against his common sense and his health in search of true American artistry and did not find the freedom he sought until he hit the bottom of addiction, and he continues to rebel   [ read more ]

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