

Beast Moans (CD)
Swan Lake is the new band featuring Daniel Bejar (Destroyer, New Pornographers), Spencer Krug (Wolf Parade, Sunset Rubdown) and Carey Mercer (Frog Eyes). Beast Moans is their debut record featuring, among other things, beast moans, starling voices, cobra hi hats and arpeggiating pianos. The songs are great weaves, showcasing the famous and very distinctive songwriting styles of Bejar, Krug and Mercer. The sum is definitely greater than the parts, and at distinct points on the record a new "combined" style emerges that throws whole heaps of magic into the air, sounding like nothing else. When the three "come together" (as if stuck in a sea-storm, in a sinking boat, forced to bail together), we first glean some grudging camaraderie. But, like rugged individualists after the storm, parting at dry crossroads, their work on Beast Moans can still be the sounds of each individual muttering under his breath, and not the chorus of exclamation and supplication to the raging maelstrom that is the hallmark of "collaboration". It's good either
way. Beast Moans was recorded in a summer cottage town in Canada, and in Victoria, in a house Krug and Mercer are familiar with and where Bejar feels comfortable enough. It was "self-produced."![]()
| Tracklisting | |
| Disk | 1 | |
| 1 | Widow's Walk |
| 2 | Nubile Days |
| 3 | City Calls |
| 4 | A Venue Called Rubella |
| 5 | All Fires |
| 6 | The Partisan But He's Got To Know |
| 7 | The Freedom |
| 8 | Petersburg, Liberty Theater, 1914 |
| 9 | The Pollenated Girls |
| 10 | Bluebird |
| 11 | Pleasure Vessels |
| 12 | Are You Swimming In Her Pools? |
| 13 | Shooting Rockets |
| Logan Fry
- Ashland, OH, United States |
| "BEAST MOANS is a testament to friendship, eternal and otherwise." This is written in the booklet of Swan Lake's first album. It was friendship brought this collective together, and, whether or not their friendship is eternal, the music that it has inspired is. At its best, Beast Moans is enthralling and its worst is hardly less than fascinating. At times it seems like each is going in a different direction, but somehow they all end up in the same place. The best moments, however, come when they are traveling together on the same path-- as is the case in the middle of the album. "All Fires" is basically a solo Spencer Krug song, but knowing that Carey Mercer and Dan Bejar are playing it with him brands it with Swan Lake instead of Sunset Rubdown. "The Partisan But He's Got to Know" could be from The Folded Palm, but Krug's influence in the final half adds a wounded quality to Mercer's voice that I would like to hear more of. "The Freedom" seems to be exempt from the collectivity, but the echoes of Mercer and Krug in the background make their presence felt. Songs like "Shooting Rockets" and "Pleasure Vessels" should be a mess, but somehow they aren't. Each member is doing his own thing, but the pieces fit together, if only because the listener knows that these three prolific artists are challenging us. But the most challenging thing about Beast Moans will be taking is out of the CD player. | |