2008, Yesh Music
I haven't really viewed post-rock as experimental for quite some time, but The American Dollar's use of electronic undertones to craft very human responses (the programmed Casio beats on "Glow", the muted drum machine on "Long March") is an effective extension of the genre that hasn't been as prevalent as others, i.e. Mogwai's dramatic changes in volume, or the victory cry dynamics of Explosions in the Sky's guitar work.
- Michael Britten, Inner-North Media
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