With their newest and effort, "The New Imperialism," Four Hundred Years have balanced acute commentary and self-perception. The first recording with Bull (from Policy of Three) on bass, this latest and last effort blends subtle, cutting irony, and a call for social action. Not lost are their trademark furious rhythm section and commanding dual guitars combined with an explosive delivery that exits nearly as soon as it begins. On "The New Imperialism," Four Hundred Years return to the incendiary, rawer qualities of their first album while drawing inspiration from a diverse palette, a palette ranging from social critic John Berger to the recent protests in Philadelphia. Not content with simply exposing societal deficiencies, The New Imperialism ends Years' highly influential legacy with a renewed optimism, an optimism fueled not by wishful thinking but by the concern and dedication of socially conscientious individuals. Four Hundred Years' valediction reflects a hope, an expression that they are willing to step out and grow.
| 1 | If You're a Joke I Don't Get It |
| 2 | New Imperialism |
| 3 | How About We Both Stop Lying to Each Other |
| 4 | They Weren't Hiding It at All |
| 5 | Don't Let the Door Hit You on Your Way Out |
| 6 | Philadelphia |
| 7 | Who's Driving This Thing Anyways? |
| 8 | Sleepwalker |





