1995, Cherry Red Records
Newell's second widely distributed album (he self-released some tapes under his own name in the 1980s) is a bit more precious and ornate than The Greatest Living Englishman, particularly when the songs employ string arrangements. At these times especially, this sounds a bit like Elvis Costello's unplugged/string quartet releases. Newell's phrasing, too, is getting more deliberate in a way that also faintly recalls Costello, though Martin doesn't sound as calcluated in his delivery. As far as the songs go, it's largely more of the same: witty, affecting vignettes about British characters, simultaneously evoking a glorious past and a somewhat unsettling, frustrating present. It's not his best record, but it's still more inventive, intelligent British pop than what you hear from most other such artists that try to carry this kind of thing off. ~ Richie Unterberger, All Music Guide
Tracklisting
Disc 1
| 1 | Call Me Michael Moonlight |
| 2 | The World Of Dandy Leigh |
| 3 | Arcadian Boys |
| 4 | The Blue Beret |
| 5 | Ursula In The Waiting Room |
| 6 | When The Damsons Are Down |
| 7 | Lions Drunk On Sunlight |
| 8 | Miss Van Houten's Coffee Shoppe |
| 9 | She Was Never Drowning |
| 10 | Some Girls Are Bigger Than Others |
| 11 | Queen Phyllis Of Colchester |
| 12 | Goodnight Country Girl |
| 13 | The Girls In The Flat Upstairs |
| 14 | Leaving London (Extract from Little Ziggy) |
| 15 | Princess Miriam (Extract from Little Ziggy) |
Customer Reviews





