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2009, Equal Vision
For The Satanic Satanist, John Baldwin Gourley and his bandmates - Zachary Scott Carothers/bass, and Ryan Neighbors/keyboards, and the drummer for the album, Garrett Lunceford - flew to Boston's Camp Street Studios to work with Paul Q. Kolderie, whose previous clients include both the Pixies and Radiohead, with additional production help from Adam Taylor (The Lemonheads, The Dresdon Dolls) and Cornershop sitarist/keyboardist Anthony Saffery.
"People Say," the lead-off track, finds Gourley speaking out against the human cost of war. On "Lovers in Love," the band works the groove like Isaac Hayes or Curtis Mayfield in their blaxploitation days, while "Work All Day" could pass for slowing down the beat to "Sgt. Pepper's Lonely Hearts Club Band (Reprise)." The Satanic Satanist also finds them working more with loops and samples than they have since their 2006 debut.
"Portugal. The Man's fourth album, The Satanic Satanist, is perfect for summer: appealingly warm, even as they mine thematic turf in their hometown of Wasilla, Alaska. ?Combining Motown falsettos and the best of late-'60s groove rock with spacey loops and hipster-art-collective ?sing-alongs, they deliver a sound that's friendly and familiar without being derivative; it's a sort of retrofitted make-out van on a club crawl. And in John Baldwin Gourley, they've got a vocalist whose sweet, fully committed tenor instantly makes you believe in his songs of northern disillusionment." - Entertainment Weekly
"People Say," the lead-off track, finds Gourley speaking out against the human cost of war. On "Lovers in Love," the band works the groove like Isaac Hayes or Curtis Mayfield in their blaxploitation days, while "Work All Day" could pass for slowing down the beat to "Sgt. Pepper's Lonely Hearts Club Band (Reprise)." The Satanic Satanist also finds them working more with loops and samples than they have since their 2006 debut.
"Portugal. The Man's fourth album, The Satanic Satanist, is perfect for summer: appealingly warm, even as they mine thematic turf in their hometown of Wasilla, Alaska. ?Combining Motown falsettos and the best of late-'60s groove rock with spacey loops and hipster-art-collective ?sing-alongs, they deliver a sound that's friendly and familiar without being derivative; it's a sort of retrofitted make-out van on a club crawl. And in John Baldwin Gourley, they've got a vocalist whose sweet, fully committed tenor instantly makes you believe in his songs of northern disillusionment." - Entertainment Weekly
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