The Wants

'No man is an island' wrote John Dunne, but what about bands? Well, they're probably not islands either, but like most things in life, you need exceptions to prove the rule. That's why it was so remarkable when The Phantom Band, with their legion of musical references, still managed to sound quite unlike anyone else when they released Checkmate Savage in 2009, a debut that earned mass critical applause and made them the cult success of the year. Twelve months later, they're still in a movement of one, and their follow-up, The Wants, looks set to cement their reputation as one of the most inventive and vital units at work today. Charged with creating a second album more or less from scratch and in situ - an album upon which their creative and material survival depended - they contracted a virulent strain of cabin fever and promptly set sail into the mouth of madness. The end product represents a major leap forward for the band, a sound more of their own. Juxtapositions are more apparent - arcane folk melodies and gothic lyrical imagery straddle vintage analogue synths and primitive drum machines. The Phantom Band was pulled together from all four corners of Scotland, settling on Glasgow as PB HQ. Duncan Marquiss (guitar), Gerry Hart (bass), Andy Wake (keyboards), Rick Anthony (vocals) and Greg Sinclair (guitars) are a volatile cabal of creative contradictions: a disorientating amalgam of music, art and performance that defies categorization and provides an object lesson in how to forge something distinct and unique from well-worn sources.