The Aquabats

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A zany eight-piece (or more) ska unit from the bleached-out California coast, Aquabats earned respect for an energized new wave of ska-punk from figures ranging from Courtney Love to the Mighty Mighty Bosstones and Squirrel Nut Zippers. Apparently led by vocalist Christian Jacobs ("The Bat Commander"), the group -- which impersonated a different horde of thugs from the '60s {#Batman} series on each LP cover -- also included a host of multi-instrumentalists: James Briggs (Jaime the Robot), Courtney Pollack (the Prince of Karate), Adam Diebert (Prin...[more]

 

 

The Aquabats' second album, The Fury of the Aquabats fulfills the promise of their debut, offering an infectious collection of ska-punk. Although the group's songwriting is a little uneven, and they have the tendency to wallow in sophomoric, "wacky" humor, they have enough hooks and energy to satisfy ska junkies. ~ Stephen Thomas Erlewine, All Music Guide

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Even before you hear the Aquabats' third album, its title -- The Aquabats Vs. the Floating Eye of Death! -- makes it clear that the group is up to its old tricks. The record kicks off in true Aquabats form with "Giant Robot Birdhead!," running through twelve crazed ska anthems in all (with every title ending in an exclamation point). Sure, the humor is frothy and avoids substance like the plague, but anybody expecting anything else from a typical third-wave ska album is waging a pointless battle   [ read more ]

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Myths, Legends... is a collection of B-sides, outtakes, and other sundry from the vaults of the Aquabats. Taken from over the space of three or more years, it's an odd mishmash of this and that. Some power pop tunes, some of the standard ska/pop-punk that the Aquabats started with. Plenty of silly songs, some of which goes far beyond some of the weirdness that the band has included on their albums. "Worms Make Dirt" is a synth-heavy bit of earthy weirdness, highlighted with keyboard pla   [ read more ]

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Their fanatical cadre will love that Charge!! ends the Aquabats' nearly six-year album drought. But the combo's hiatus has also refocused its musical and ideological attack. Intact are the pop references, zany in-jokes, and {#Batman} villain fetishism. And the album has more exclamation points per syllable than the average lad's mag cover. (One song is simply called "Waterslides!") But Charge!! is much more rewarding musically. It doesn't loiter awkwardly between punk, pop, ska, and    [ read more ]

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