The Go-Betweens

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The Go-Betweens were perhaps the quintessential cult band of the '80s: they came from an exotic locale (Brisbane, Australia), moved to a major recording center (in their case, London) in a sustained bid to make a career out of music, released album after album of music seemingly tailor-made for the radio in spite of their having little use for contemporary Top 40 musical/lyrical formulas, and earned considerable critical praise and a small but fervent international fan base. Although the Go-Betweens were absent throughout the '90s before re-forming in the new millennium, bo...[more]

 

 

The Go-Betweens are the quintessential cult band. Sired by the new wave explosion of the late '70s, The Go-Betweens have spent the last 25 years crafting the sort of lovely, eloquent music Guitar popsters like Travis, Luna and Belle and Sebastian (who expressed their love for the band in their song "Shoot the Sexual Athelete") can all thank the lush, uplifting excitement The Go-Betweens' masterminds Grant McLennan and Robert Forster have consistently crafted starting with 1982's Send Me a Lullaby. Their ex   [ read more ]

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Though it's been two years since Bright Yellow Bright Orange, Oceans Apart is further proof that the Go-Betweens are still a going concern. It is their third recording since reuniting after a 12-year hiatus. The lineup is the same as the last time out: Songwriter   [ read more ]

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This curiosity piece is perhaps an essential document for fans of Australia's Go-Betweens. That Striped Sunlight Sound (a feeling Mssrs. Forster and McLennan have used in print to describe the band's   [ read more ]

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Fans of the Go-Betweens were happily amazed when Robert Forster and Grant McLennan reunited after 12 years and began recording again. This is the second product of their hopefully long-lived reunion. Recording in its native Australia, the duo added bassist and vocalist Adele Pickvance and drummer Glenn Thompson to the band for 2003's Bright Yellow Bright Orange. All the hallmarks of a great Go-Betweens record are here: memorable melodies, wry and literate (in Forster's case, literary   [ read more ]

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Twelve years after disbanding the Go-Betweens, Melbourne-based singer/songwriters Robert Forster and Grant McLennan reformed the band they began in 1978 for their seventh album. While they haven't quite picked up where they left off (none of the other original members hopped on board), and the violin/viola that was such an integral aspect of their last few albums appears sporadically, this isn't a huge departure from the trademarked Go-Betweens sound. Poetic, languid, spoken/sung vocals similar    [ read more ]

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Not quite as comprehensive or well-chosen as the earlier (and now out-of-print) 1978-1990 retrospective, Bellavista Terrace is nevertheless a fine introduction to the Go-Betweens' enduring brilliance. As Robert Forster's liner notes point out with painful accuracy, this 14-track compilation could scarcely be called a greatest-hits collection as none of the band's singles actually charted, a mystery which has only deepened with the passing years -- that perfect pop confections like {&"Head Full o   [ read more ]

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Though it's been two years since Bright Yellow Bright Orange, Oceans Apart is further proof that the Go-Betweens are still a going concern. It is their third recording since reuniting after a 12-year hiatus. The lineup is the same as the last time out: Songwriters and frontmen Robert Forster and Grant McLennan are joined once more by drummer Glenn Thompson, and bassist, keyboardist, and backing vocalist Adele Pickvance. In addition, there is a small wind and brass section on some tracks   [ read more ]

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The Go-Betweens were already a good band well before they made Before Hollywood, but this second album is what proved for many listeners that they were great. For good reason -- both Robert Forster's and Grant McLennan's singing sounds much more honestly theirs, finding their own voices, while collectively the trio create a series of intricate, surprising melodies and songs which balance past and present beautifully. Strange as it may sound, the band's peers at this point could and did range fro   [ read more ]

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The first official album from the Go-Betweens, after a slew of earlier recordings and initial singles, was described by Forster and McLennan in later years as sounding like a practice room session, "metallic folk in a way." It's a fair assessment, and certainly while it's the work of a young band, Send Me a Lullaby is still a promising start, showing that the original trio had an aesthetic and the talent to carry its work over an album's length. Another McLennan comment, that it's the 1981   [ read more ]

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Robert Forster's endearingly fey persona, equal parts Bryan Ferry and gangly bookstore clerk, reaches full flower on the Go-Betweens' fourth album, which tempers the angularity and occasional claustrophobia of the band's previous work with a new airiness and nervous romanticism. The lighter sound can be partly attributed to the growing influence of co-leader Grant McLennan, whose wistful "Cattle and Cane" and "Bachelor Kisses" lent grace to the Go-Betweens' sometimes stilted early recor   [ read more ]

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