The Jayhawks

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Led by the gifted songwriting, impeccable playing, and honeyed harmonies of vocalists/guitarists Mark Olson and Gary Louris, the Jayhawks' shimmering blend of country, folk, and bar band rock made them one of the most widely acclaimed artists to emerge from the alternative country scene. The group sprung up in 1985 out of the fertile musical community of Minneapolis, MN, where Olson had been playing standup bass in a rockabilly band called Stagger Lee. His desire to write and perform his own country-folk material soon prompted him to begin a solo ...[more]

 

 

Formed in 1985 by Minneapolis roots music fans Mark Olson and Gary Louris, The Jayhawks became one of the most recognized and successful bands of the so-called "alt country" movement of the 1990's. Their milestone albums Blue Earth,Hollywood Town Hall and Tomorrow The Green Grass yielded hits like "Waiting For the Sun" and "Blue" which showcased the blend that quickly became the band's signature sound. After the departure of Olson in 1995, Louris changed direction slightly toward a more po   [ read more ]

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Deluxe version includes 20 rare and unreleased tracks from the band's vaults! Also comes with a DVD of music videos and live performances. Formed in 1985 by Minneapolis roots music fans Mark Olson and Gary Louris, The Jayhawks became one of the most recognized and successful bands of the so-called "alt country" movement of the 1990's. Their milestone albums Blue Earth,Hollywood Town Hall and Tomorrow The Green Grass yielded hits like "Waiting For the Sun" and "Blue" which showc   [ read more ]

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The songs which make up Blue Earth originated as demos, and save for some minor studio tinkering, are presented here in their original embryonic state. As a consequence, the record lacks punch; spare and economical, the songs are simply too primitive to come to life in this setting. Nonetheless, the growth of the band's songwriting skills over their debut is substantial; while many of the themes -- drifting, drinking, and lost love -- remain the same, they're handled with greater insight and clarity than   [ read more ]

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It was one of the more unlikely major label releases of 1992 -- nothing to do with grunge, certainly not a last holdout from '80s mainstream sludge. On the flip side, it wasn't really the incipient alternative country/No Depression sound either, for all that there was a clear influence from the likes of Gram Parsons and fellow travelers throughout the grooves. This wasn't a sepia-toned collection of murder ballads or the similarly minded efforts that were almost overreactions to Nashville'   [ read more ]

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With Smile, the Jayhawks drop yet another sizable chunk of their alt-country sound by the roadside, adding in its place healthy doses of power pop and modern electronic music. Almost half of Smile's songs feature looped percussion, overdubbed drum tracks, or flat-out, funky backbeats. Little blips of sound skitter underneath the mostly acoustic guitars on the wistful "What Led Me to This Town" and make "Queen of the World" a worthy candidate for a dance remix (if the Jayhawks were ever to    [ read more ]

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Following Mark Olson's amicable departure, the remaining Jayhawks reconvened under the direction of Gary Louris to record Sound of Lies, the band's most ambitious album to date. Like Wilco's Being There, Sound of Lies uses country-rock as a foundation and wanders off into a variety of different sonic territories, including surf rock and Beatlesque pop, bringing the music closer to the sound of adult alternative pop/rock. Although the surface of the album is pleasant an   [ read more ]

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The Jayhawks' seventh album backs away from their "super-pop" releases like Smile and the underrated Sound of Lies and looks back to their earlier, rootsier sound. The band has whittled itself down again following the departures of keyboardist Jen Gunderman and longtime guitarist Kraig Johnson, leaving behind core songwriter and vocalist Gary Louris, founding member Marc Perlman on bass, and longtime drummer Tim O'Reagan assisted by newcomer Stephen McCarthy on guitar. Produced   [ read more ]

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The Jayhawks' final record with singer/songwriter Mark Olson, Tomorrow the Green Grass is also the group's finest. While the band's earlier efforts perfected a more traditional brand of country-rock, their fourth record is marvelously eclectic, both musically and emotionally; never before had they rocked as hard as on "Real Light," dug as painfully deep as on "Two Hearts," or hit quite the same peaks of exuberance as on "Miss Williams' Guitar," a tribute to Olson's new wife, neo-folkie    [ read more ]

Buy Now CD $14.23

 

 

 

 

 

Following Mark Olson's amicable departure, the remaining Jayhawks reconvened under the direction of Gary Louris to record Sound of Lies, the band's most ambitious album to date. Like Wilco's Being There, Sound of Lies uses country-rock as a foundation and wanders off into a variety of different sonic territories, including surf rock and Beatlesque pop, bringing the music closer to the sound of adult alternative pop/rock. Although the surface of the album is pleasant an   [ read more ]

Buy Now CD $14.23

 

 

 

 

 

With Smile, the Jayhawks drop yet another sizable chunk of their alt-country sound by the roadside, adding in its place healthy doses of power pop and modern electronic music. Almost half of Smile's songs feature looped percussion, overdubbed drum tracks, or flat-out, funky backbeats. Little blips of sound skitter underneath the mostly acoustic guitars on the wistful "What Led Me to This Town" and make "Queen of the World" a worthy candidate for a dance remix (if the Jayhawks were ever to    [ read more ]

Buy Now CD $14.23

 

 

 

 

 

The Jayhawks' final record with singer/songwriter Mark Olson, Tomorrow the Green Grass is also the group's finest. While the band's earlier efforts perfected a more traditional brand of country-rock, their fourth record is marvelously eclectic, both musically and emotionally; never before had they rocked as hard as on "Real Light," dug as painfully deep as on "Two Hearts," or hit quite the same peaks of exuberance as on "Miss Williams' Guitar," a tribute to Olson's new wife, neo-folkie    [ read more ]

Buy Now CD $11.38

 

 

 

 

 

It was one of the more unlikely major label releases of 1992 -- nothing to do with grunge, certainly not a last holdout from '80s mainstream sludge. On the flip side, it wasn't really the incipient alternative country/No Depression sound either, for all that there was a clear influence from the likes of Gram Parsons and fellow travelers throughout the grooves. This wasn't a sepia-toned collection of murder ballads or the similarly minded efforts that were almost overreactions to Nashville'   [ read more ]

Buy Now CD $14.23

 

 

 

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