Their second full-length is a freaky conflation of dance music, like a 31-flavor ice cream social on a hot summer's day where bongos and subs keep time for a gaggle of face-painters, genies, and roller-queens, but it's more about lifestyle than any generic allegiance or retro revivalism. The band calls it "body music". "Kings And Queens" makes nods to disco, house, and pop, as well as what the band members heard around them on the streets, in parks, and in clubs. Equally present are Chicago-style horns, R&B falsetto, Latino percussion, and bass lines with more soul than a gospel choir.